Anders Zornスウェーデン, 1860–1920Jean Burnay
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スウェーデン国立美術館
ストックホルム, スウェーデン
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- この状態になった日
- 出典
- 美術館
この絵画について
The portrait of Jean Burnay is an impressive example of Zorn’s astonishing skill in watercolour painting. It is also fascinating how the interior, the setting, is employed to enhance the subject of the portrait. Zorn takes a sofa as his only prop, but he uses it to heighten Burnay’s character. The figure appears as magnificent as a peacock with its tail feathers.
スウェーデン国立美術館
作品データ
カタログ収録
出典
- スウェーデン国立美術館
- 画像： スウェーデン国立美術館 — Public Domain Mark 1.0
その頃、Anders Zornの人生では
生涯をすべて見る1882
He begins to master etching
From 1882 he masters the technique of etching and goes on to create more than three hundred works. He works with one free stroke, using neither contour lines nor cross-hatching, and his etchings are a great success with artists and the public, prompting many imitations.
1885年10月18日
Married: Emma Zorn
1886
He buys land by Mora church
Together with his wife Emma he buys land close to Mora church and moves there a cottage from his maternal grandfather's farm; the cottage will later be enlarged into the Zorngården estate.
