ART WIKI
Insertions into Ideological Circuits: Coca-Cola Project, Cildo Meireles, 1970 (ongoing)
Cildo Meirelesの肖像Cildo Meirelesブラジル, 1948

Insertions into Ideological Circuits: Coca-Cola Project

1970 (ongoing) · Sculpture

見られますか？

現在は展示されていません

『Insertions into Ideological Circuits: Coca-Cola Project』は今どこに？ 所蔵: シカゴ美術館, シカゴ. 現在は展示されていません. 確認 2026年9月29日.

シカゴ美術館

シカゴ, アメリカ合衆国

コレクションに属していますが、現在は展示されていません。

確認
この状態になった日
出典
美術館
地図で見る美術館のページ

この彫刻について

Cildo Meireles’s ongoing Coca-Cola Project, part of his larger Insertions into Ideological Circuits series, interrogates how power—socioeconomic and political—is distributed through networks of trade and consumerism. Meireles noted his intention on each bottle: “To register informations and critical opinions on bottles and return them to circulation.” Each bottle also carries a distinct political provocation. These three read, “Yankees go home!,” “Jesse Helms No!,” and “Which is the place of a work of art?” With this project, Meireles took advantage of the global reach of American consumer culture by appropriating and personalizing one of its most popular exports.

シカゴ美術館CC BY 4.0

作品データ

収蔵番号
2014.1201

カタログ収録

彫刻戦後美術20世紀

出典

Cildo Meirelesのほかの作品

すべての作品
Virtual Spaces: Corners 1, Cildo Meireles, 1967-68/1983

Virtual Spaces: Corners 1

1967-68/1983 · 非展示 · ニューヨーク近代美術館

Insertions into Ideological Circuits: Banknote Project (Inserções em circuitos ideológicos: Projeto Cédula), Cildo Meireles, 1970

Insertions into Ideological Circuits: Banknote Project (Inserções em circuitos ideológicos: Projeto Cédula)

1970 · 非展示 · ニューヨーク近代美術館

Insertions into Ideological Circuits: Coca-Cola Project (Inserções em Circuitos Ideológicos: Projeto Coca-Cola), Cildo Meireles, 1970

Insertions into Ideological Circuits: Coca-Cola Project (Inserções em Circuitos Ideológicos: Projeto Coca-Cola)

1970 · 非展示 · ニューヨーク近代美術館

To Be Curved with the Eyes, Cildo Meireles, 1970/78

To Be Curved with the Eyes

1970/78 · 非展示 · ニューヨーク近代美術館

Insertions into Ideological Circuits: Banknote Project (Inserções em circuitos ideológicos: Projeto Cédula), Cildo Meireles, 1970

Insertions into Ideological Circuits: Banknote Project (Inserções em circuitos ideológicos: Projeto Cédula)

1970 · 非展示 · ニューヨーク近代美術館

Zero Cruzeiro, Cildo Meireles, 1974–78

Zero Cruzeiro

1974–78 · 非展示 · ニューヨーク近代美術館

Insertions into Ideological Circuits: Banknote Project: Who Killed Herzog? (Inserções em circuitos ideológicos: Projeto Cédula: Quem matou Herzog?), Cildo Meireles, 1975

Insertions into Ideological Circuits: Banknote Project: Who Killed Herzog? (Inserções em circuitos ideológicos: Projeto Cédula: Quem matou Herzog?)

1975 · 非展示 · ニューヨーク近代美術館

The Difference between the Circle and the Sphere Is the Weight, Cildo Meireles, 1976

The Difference between the Circle and the Sphere Is the Weight

1976 · 非展示 · ニューヨーク近代美術館

シカゴ美術館の他の展示作品

美術館のページ
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

グランド・ジャット島の日曜日の午後, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

パリの通り、雨, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

2人の姉妹（テラスにて）, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

アメリカン・ゴシック, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

ナイトホークス, 1942