Nicolai Abildgaardデンマーク, 1743–1809Hamlet hos sin moder
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コペンハーゲン国立美術館
展示室展示室 217Bコペンハーゲン, デンマーク
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出入りの記録
展示中 · 展示室 217B
コペンハーゲン国立美術館 · 2026年9月28日 — 現在 · 確認済み
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コペンハーゲン国立美術館 · 2026年8月19日 — 2026年9月28日 · 確認済み
出典
- コペンハーゲン国立美術館: the museum's own open data · 7 日前に取得
- 画像： コペンハーゲン国立美術館 — public domain
その頃、Nicolai Abildgaardの人生では
生涯をすべて見る1772–1777
Sergel and Füssli: a turn towards Romanticism
In the company of the Swedish sculptor Johan Tobias Sergel and the painter Johann Heinrich Füssli, Abildgaard began to move away from academic classicism and came to love Shakespeare, Homer and Ossian. Themes from Greek and Norse mythology placed him at the forefront of Nordic Romanticism.
1772–1777 · 活動地
Rome
1776
A trip to Naples with Jens Juel
From Rome Abildgaard made a side trip to Naples with Jens Juel. Juel’s portrait of Abildgaard was turned into a medallion by Abildgaard’s friend Johan Tobias Sergel.
1778
Professor at the Academy of Art
Soon after joining the Academy Abildgaard was appointed to a professorship, teaching mythology and anatomy as well as neoclassical painting. His pupils included Asmus Jacob Carstens, the sculptor Bertel Thorvaldsen and the painters Johan Ludvig Lund and Christoffer Wilhelm Eckersberg.
c. 1780
The commission for the Knights’ Hall at Christiansborg
As royal history painter Abildgaard received a prestigious and lucrative commission for a monumental history of Denmark to fill the Knights’ Hall of Christiansborg Palace. The allegorical and mythological imagery glorified the government, while his teacher Mandelberg supplied the room’s decorations.
1781
Marries Nancy Oxholm; a son is born
Abildgaard married Anna Marie “Nancy” Christiane Oxholm, who that same year bore him a son, Marcus Aurelius. Later, on discovering her affair with the court chamberlain Reinhard von Eppingen, he forced the pair to flee in disgrace across the Sound to Helsingborg in Sweden, and divorced.
