Frank Stellaアメリカ合衆国, 1936–2024Gray Scrambled Double Square
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ニューヨーク近代美術館
ニューヨーク, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 12 日前
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- 508.1984
出典
- ニューヨーク近代美術館: the museum's own open data · 12 日前に取得
- 画像： ニューヨーク近代美術館 — © the artist or rights holder
その頃、Frank Stellaの人生では
生涯をすべて見る1960s
Travels in the Middle East
He visits circular-plan cities in the Middle East and is especially intrigued by the arches and decorative patterns he sees in the architecture and art of Iran; these cities will later give their names to works of the Protractor series.
1964
Radio discussion with Judd and Flavin
In a radio discussion of contemporary art with fellow artists Donald Judd and Dan Flavin, Stella sums up his approach: only what can be seen is there — “What you see is what you see.” The tautology later became known as the unofficial motto of minimalism.
mid-1960s
Begins working with master printer Kenneth Tyler
In the mid-1960s he begins his long involvement with printmaking, first working with the master printer Kenneth Tyler at Gemini G.E.L.
1965–1966
Guggenheim: “The Shaped Canvas” and “Systemic Painting”
His work is included in two exhibitions at the Solomon R. Guggenheim Museum: The Shaped Canvas (1965) and Systemic Painting (1966).
