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  1. コレクション/
  2. ニューヨーク近代美術館/
  3. Girl with Ball
Girl with Ball, Roy Lichtenstein, 1961
Roy Lichtensteinの肖像Roy Lichtensteinアメリカ合衆国, 1923–1997

Girl with Ball

1961 · Painting

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ニューヨーク近代美術館

ニューヨーク, アメリカ合衆国

コレクションに属していますが、現在は展示されていません。

確認
8 日前
出典
美術館
地図で見る美術館のページ

この絵画について

Girl with Ball is a 1961 painting by Roy Lichtenstein. It is an oil on canvas Pop art work that is now in the collection of the Museum of Modern Art, after being owned for several decades by Philip Johnson. It is one of Lichtenstein's earliest Pop art works and is known for its source, which is a newspaper ad that ran for several decades and which was among Lichtenstein's earliest works sourced from pop culture.

Girl with Ball was exhibited at Lichtenstein's first solo exhibition and was displayed in Newsweek's review of the show. This work significantly alters the original source and is considered exemplary of Lichtenstein's works that exaggerate the mechanically produced appearance although the result of his painterly work. It is an enduring depiction of the contemporary beauty figure.

ウィキペディア · CC BY-SA

作品データ

1961 · 38歳
19231997
収蔵番号
421.1981

カタログ収録

絵画油彩アメリカ絵画戦後美術20世紀

出典

  • ニューヨーク近代美術館
  • 画像: ニューヨーク近代美術館 — © the artist or rights holder

その頃、Roy Lichtensteinの人生では

生涯をすべて見る
  1. 1957–1960

    Employed by: State University of New York at Oswego

  2. 1960

    Rutgers and the influence of Allan Kaprow

    In 1960 Lichtenstein began teaching at Rutgers University, where he was heavily influenced by Allan Kaprow, who also taught there. The environment reignited his interest in proto-Pop imagery.

  3. 1961

    The turn to Pop Art: a challenge from his son

    In 1961 Lichtenstein began his first Pop paintings, using cartoon images and techniques derived from commercial printing; the first work to use hard-edged figures and Ben-Day dots on a large scale was “Look Mickey”. The push came from his son, who, as the artist told it, pointed to a Mickey Mouse comic book and doubted that his father could paint as well.

  4. 1961

    Leo Castelli begins showing his work

    In 1961 Leo Castelli began displaying Lichtenstein’s work at his gallery in New York.

  5. 1962

    The Castelli show sells out before it opens

    Lichtenstein’s first one-man show at the Castelli gallery took place in 1962: the entire collection was bought by influential collectors before it even opened. The Leo Castelli Gallery has represented him exclusively since then.

  6. 1963–1964

    Leaves Rutgers and returns to New York

    In September 1963 Lichtenstein took a leave of absence from Douglass College at Rutgers; in 1964 he moved back to New York to be at the centre of the art scene and resigned from Rutgers to concentrate on his painting.

Roy Lichtensteinのほかの作品

すべての作品
Entablature, Roy Lichtenstein, 1974

Entablature

1974 · ナショナル・ギャラリー

Painting with Statue of Liberty, Roy Lichtenstein, 1983

Painting with Statue of Liberty

1983 · ナショナル・ギャラリー

House I, Roy Lichtenstein, model 1996, fabricated 1998

House I

model 1996, fabricated 1998 · ナショナル・ギャラリー

Руины, Roy Lichtenstein, 1965

Руины

1965 · ロシア美術館

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · ホイットニー美術館

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · ホイットニー美術館

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · ホイットニー美術館

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · ホイットニー美術館

ニューヨーク近代美術館で肩を並べる作品

美術館のページ
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

星月夜, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950