Samuel J. Millerアメリカ合衆国
Frederick Douglass
作品について
In 1839 Louis-Jacques-Mandé Daguerre announced the perfection of the daguerreotype, a photographic process that employed a silver-coated copperplate sensitive to light. This new artistic process was celebrated for its remarkably sharp detail and praised as a “democratic art” that brought portraiture into reach for the masses. Within a few years, thousands of daguerrean portrait studios had sprung up all over the United States, among them the one that Samuel J. Miller owned in Akron, Ohio. Although most of the likenesses made in commercial studios were formulaic and not very revealing of the subject’s character, this portrait of Frederick Douglass—an escaped slave who had become a lauded speaker, writer, and abolitionist agitator—is a striking exception.
続きを読む
Northeastern Ohio was a center of abolitionism prior to the Civil War, and Douglass knew that this picture, one of an astonishing number that he commissioned or posed for, would be seen by ardent supporters of his campaign to end slavery. Douglass was an intelligent manager of his public image and likely guided Miller in projecting his intensity and sheer force of character. As a result, this portrait demonstrates that Douglass truly appeared “majestic in his wrath,” as the nineteenth-century feminist Elizabeth Cady Stanton observed.
シカゴ美術館CC BY 4.0
作品データ
- 収蔵番号
- 1996.433
描かれているもの
カタログ収録
出典
- シカゴ美術館
- 画像： シカゴ美術館 — CC0
