Elizabeth Beltzhoover Mason, Gilbert Stuart, c. 1803–5
Gilbert Stuartの肖像Gilbert Stuartアメリカ合衆国, 1755–1828

Elizabeth Beltzhoover Mason

c. 1803–5 · Painting

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『Elizabeth Beltzhoover Mason』は今どこに? クリーブランド美術館, 204 Colonial American, クリーブランド. はい、現在展示中. 確認 2026年9月29日.

クリーブランド美術館

クリーブランド, アメリカ合衆国

展示室204 Colonial American

一般公開されています。

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出典
美術館

この絵画について

The sitter’s high-waisted dress, pearl necklace, and elegant hairstyle of cascading ringlets reflect the height of fashion around 1800. Her gaze is assured: her chin is tilted upward but her eyes peer down with confidence. Mason’s husband was a prosperous lawyer, an influential figure in President Thomas Jefferson’s administration, and a plantation owner in Maryland. According to an inventory from 1807, the couple enslaved approximately 185 people, ranging from the newborn Abraham to 79-year-old Rachel. The family’s wealth afforded Mason the opportunity to be painted by Gilbert Stuart, a much sought-after portraitist.

クリーブランド美術館

作品データ

収蔵番号
1921.428

カタログ収録

出典

その頃、Gilbert Stuartの人生では

生涯をすべて見る
  1. 1803

    Opens a studio in Washington

    In 1803 Stuart opens a studio in Washington, D.C.; two years later financial difficulties will make him move to Boston.

  2. 1805

    Moves to Boston

    Because of financial difficulties he moves to Devonshire Street in Boston; the critics go on praising him, and the money troubles do not go away.

  3. 1805–1828

    Fellow artists seek his advice in Boston

    In Boston he exhibited at Doggett’s Repository and Julien Hall, and other American artists sought his advice — John Trumbull, Thomas Sully, Washington Allston and John Vanderlyn.

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