Caspar David Friedrichドイツ, 1774–1840Easter Morning
見られますか？
不明
『Easter Morning』は今どこに？ 所蔵: ティッセン＝ボルネミッサ美術館, Madrid. 不明.
Madrid, スペイン王国
所蔵者は判明していますが、現在展示中かどうかは不明です。
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- 792 (1973.24)
カタログ収録
出典
- ウィキデータ
- 画像： ティッセン＝ボルネミッサ美術館 — Caspar David Friedrich · Public domain · Wikimedia Commons
その頃、Caspar David Friedrichの人生では
生涯をすべて見る1824–1826
Depression and darker motifs
A new bout of depression — earlier ones came in 1799, 1803–1805, around 1813 and in 1816 — brings vultures, owls, graveyards and ruins into his work. From 1826 these motifs become a permanent feature of his output, and his colours grow darker and more muted.
1825–1840
The fading of his fame
Over the last fifteen years of his life Friedrich’s reputation steadily declines: as the ideals of early Romanticism go out of fashion he comes to be seen as an eccentric and melancholy figure out of touch with the times, and his patrons gradually fall away. Towards the end he lives in relative poverty and spends long periods, often beginning before sunrise, walking alone through woods and fields.
1830
Aphorisms on art
Friedrich sets down a collection of aphorisms on aesthetics, the sum of his written commentary on art. The artist, he holds, must match natural observation with scrutiny of his own personality: close the bodily eye in order to see the picture first with the spiritual eye, and then bring to the light of day what was seen in the darkness.
