Jacques Callotフランス, 1592–1635Drinker Seen From Behind
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クリーブランド美術館
クリーブランド, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 一昨日
- この状態になった日
- 2026年8月19日
- 出典
- 美術館自身の所蔵データ
作品について
This image was published by Callot in 1621 as part of a series of 21 prints depicting gobbi (people with curved backs). The series was titled Varie figure gobbi di Jacopo Callot fatto in Firenza l'anno 1616 (Various hunchbacks by Jacopo Callot, made in Florence in 1616). The figures in the series are reminiscent of character tropes that were popular in the theatrical genre known as the commedia dell’arte (comedy of the profession). As the name suggests, the comedy of this genre was predicated on the assumption that the viewer occupied a different social class than the characters depicted. This figure's distorted physique and drunken dance would have suggested to contemporary audiences that he is inherently flawed in both body and mind.
クリーブランド美術館
作品データ
- 収蔵番号
- 1970.22
カタログ収録
出典
- クリーブランド美術館: the museum's own open data · 5 日前に取得
- 画像： クリーブランド美術館 — Museum open access
その頃、Jacques Callotの人生では
生涯をすべて見る1611–1621 · 活動地
Florence
1614–1621
At the court of Cosimo II de’ Medici
Under Parigi’s direction Callot works at the court of the Grand Duke of Tuscany Cosimo II de’ Medici in the Uffizi, designing festivals and theatrical performances — later these give him themes for his series of grotesque prints; during his Florentine years he becomes an independent master and often works for the Medici.
1621
Returns to Nancy after the death of Cosimo II
After the death of Grand Duke Cosimo II de’ Medici, Callot responds to Duke Charles IV of Lorraine’s wish to see him at his court and returns to Lorraine, where he is received with flattering honours; staying in Nancy, he sends his prints all over Europe, and Rembrandt becomes a keen collector of them.
1621–1635 · 活動地
Nancy
