Mattia Pretiイタリア, 1613–1699Drawing
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ヴィクトリア&アルバート博物館
ロンドン, イギリス
コレクションに属していますが、現在は展示されていません。
- 確認
- 9 日前
- この状態になった日
- 2026年9月25日
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- E.1209-1936
カタログ収録
出典
- ヴィクトリア&アルバート博物館: the museum's own open data · 9 日前に取得
- 画像： ヴィクトリア&アルバート博物館 — © Victoria and Albert Museum, London
その頃、Mattia Pretiの人生では
生涯をすべて見る1630–1653
Frequent journeys: Italy, Spain and Flanders
Although he remained in Rome for nearly twenty-five years, he travelled frequently throughout Italy and abroad, particularly to Spain and Flanders, and established contacts with Emilian painters of the preceding generation, Guercino and Giovanni Lanfranco, who further influenced his style.
1646–1651
A house near Piazza di Spagna with Bartolomeo Dardovini
From Easter 1646 until 1651 he is recorded as living fairly steadily in Rome, in a house near Piazza di Spagna alongside Bartolomeo Dardovini, who would later become one of his collaborators. He resumed working for the Roman nobility: his “The Concert”, “The Tribute Money” and “Hagar in the Desert” entered the city’s most illustrious collections, such as those of the Sacchetti and the Pamphilj; there were also public commissions, including the abbey’s processional banner and murals for the Abbey of San Martino al Cimino in Viterbo.
4 October 1651
Summoned to the court of Francesco I d’Este in Modena
On 4 October 1651 Francesco I d’Este summoned him to the court of Modena to carry out commissioned works.
