Joaquín Sorollaスペイン王国, 1863–1923Dormitando
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ソローリャ美術館
マドリード, スペイン王国
所蔵者はわかっています。いま展示されているかどうかは美術館が公表しておらず、当て推量は私どもの流儀ではありません。
- この状態になった日
- 2026年9月27日
- 出典
- 美術館自身の所蔵データ
作品について
In the museum's own words — the original
En primer término, una mesa sobre la que se distribuyen varios elementos: una cuchara, un vaso, un jarrón con flores y dos jarras. Tras ésta, una mujer recostada en una hamaca o mecedora, con el rostro vuelto hacia nosotros, recibiendo los rayaos de sol que entran por la puerta abierta al fondo.
ソローリャ美術館
作品データ
What it shows
出典
- ソローリャ美術館: the museum's own open data · 5 日前に取得
- 画像： ソローリャ美術館 — In Copyright
その頃、Joaquín Sorollaの人生では
生涯をすべて見る1906
Galerie Georges Petit: nearly 500 works
A one-man show at the Galeries Georges Petit in Paris — figures, landscapes, portraits, early works and recent sun-drenched beaches — eclipsed all his earlier successes. His productivity amazed critics, the show was a financial triumph, and it brought him the rank of Officer of the Legion of Honour.
1908
Meets Archer Huntington
Large exhibitions in Germany and London met with more restraint than the Paris show, but in England Sorolla met Archer Milton Huntington, who made him a member of the Hispanic Society of America in New York and invited him to exhibit there.
1909
New York show: 195 of 356 paintings sold
The exhibition at the Hispanic Society of America comprised 356 paintings, 195 of which were sold. Sorolla spent five months in America and painted more than twenty portraits.
1911
Contract with Huntington for a series on Spain
In Paris Sorolla signed a contract with the American magnate and patron Archer Huntington for a series of paintings on life in Spain. The major commission of his career, it dominated his last years.
early 1911
Second US visit: St. Louis and Chicago
Sorolla visited the United States a second time and showed 152 new paintings at the Saint Louis Art Museum and, a few weeks later, 161 at the Art Institute of Chicago.
1911–1919
Through the provinces of Spain to paint from life
Huntington had envisioned a history of Spain; Sorolla preferred a “Vision of Spain” and finally images of the regions of the peninsula, “The Provinces of Spain”. He painted all but one of the huge canvases en plein air, travelling to Navarre, Aragon, Catalonia, Valencia, Elche, Seville, Andalusia, Extremadura, Galicia, Guipúzcoa, Castile, León and Ayamonte and posing models in local costume.
