Edvard Munchノルウェー王国, 1863–1944Der Kuss
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不明：美術館は黙して語らず
アルベルティーナ
ウィーン, オーストリア
所蔵者はわかっています。いま展示されているかどうかは美術館が公表しておらず、当て推量は私どもの流儀ではありません。
- この状態になった日
- 2026年9月27日
- 出典
- 美術館自身の所蔵データ
作品データ
出典
- アルベルティーナ: the museum's own open data · 4 日前に取得
- 画像： アルベルティーナ — Public Domain Mark 1.0
その頃、Edvard Munchの人生では
生涯をすべて見るDecember 1893
The "Love" Exhibition: Beginning of "The Frieze of Life"
At an exhibition on Unter den Linden he showed, among other works, six paintings under the title "Studies for a Series: Love" — the beginning of the cycle later named "The Frieze of Life — a Poem about Life, Love and Death."
1894
Turn to Copper Engraving
He began engraving on copper on his own, without formal training, working in etching, drypoint, and aquatint, and created many masterpieces in the medium.
1896
Meetings with Gauguin and the Symbolists in Paris
During an important stay in Paris he met Gauguin, Émile Bernard, Maurice Denis, and Symbolist poets, notably Mallarmé. At this time he turned to etching, woodcut, and lithography.
May 1896
Exhibition at the Maison de l'Art Nouveau
Siegfried Bing showed 60 of Munch's works, including "The Kiss," "The Scream," "Madonna," and "The Sick Child." The exhibition introduced the French public to the artist's work.
