![Dances at the Spring [II], Francis Picabia, Saint Cloud, spring or summer 1912](https://www.moma.org/media/W1siZiIsIjI0MzcwNiJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=23222488b29840d2)
Francis Picabiaフランス, 1879–1953Dances at the Spring [II]
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『Dances at the Spring [II]』は今どこに？ 所蔵: ニューヨーク近代美術館, ニューヨーク. 現在は展示されていません. 確認 2026年9月22日.
ニューヨーク, アメリカ合衆国
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- 確認
- 出典
- 美術館
作品データ
- 収蔵番号
- 1412.1974
カタログ収録
出典
- ニューヨーク近代美術館
- 画像： ニューヨーク近代美術館 — © the artist or rights holder
その頃、Francis Picabiaの人生では
生涯をすべて見る1910
Meets Marcel Duchamp
His meeting with Marcel Duchamp in 1910 had a decisive influence on Picabia's personality and art: he moved from Fauvism to Cubism and geometric abstraction. Other accounts have them becoming friends around 1911 in the Puteaux Group.
1910年1月18日
Daughter born: Laure Marie Catalina Martinez-Picabia
c. 1911
The Puteaux Group: friendship with Apollinaire
Around 1911 Picabia joined the Puteaux Group, whose members he had met at Jacques Villon's studio; there he became friends with Marcel Duchamp and close friends with Guillaume Apollinaire, while the group also included Gleizes, La Fresnaye, Léger and Metzinger.
1913
The only Cubist at the Armory Show
The wealthy Picabia was the only Cubist to attend the Armory Show in New York in person, where he showed four paintings; the press was largely hostile, but he was widely interviewed and at once became a major name in New York's art circles.
17 March – 5 April 1913
Solo show at Stieglitz's gallery 291
Alfred Stieglitz gave him the solo show Exhibition of New York Studies by Francis Picabia at his gallery 291 — abstract works made over a few months in New York under the impression of Kandinsky and other abstract art at the Armory Show.
1913
Back in Paris, he breaks with the Cubists
On returning to Paris in April 1913, Picabia formally broke with the Cubists.
