Auguste Rodinフランス, 1840–1917Damned Woman
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『Damned Woman』は今どこに？ 所蔵: スウェーデン国立美術館, ストックホルム. 現在は展示されていません. 確認 2026年10月9日.
ストックホルム, スウェーデン
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Damned Woman was created for The Gates of Hell but never inserted in the composition. It was easy to adapt to other groups, however, and can be recognised in several works created in 1890-1900. A freer Rodin emerges here. In his so-called “assemblages”, he combines different sculptures or objects to create new works. Some of these have
スウェーデン国立美術館
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スウェーデン国立美術館 · 2026年10月9日 — 現在 · 確認済み
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スウェーデン国立美術館 · 2026年9月27日 — 2026年10月9日 · 未確認
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- 画像： スウェーデン国立美術館 — CC BY-SA 4.0
その頃、Auguste Rodinの人生では
生涯をすべて見る1886
Commission for the Victor Hugo monument for the Panthéon
Rodin showed Hugo as a mighty nude titan among three muses; the figure was judged unsuitable for the Panthéon and the project was rejected. In 1890 he removed the muses, and in 1909 the monument was set up in the garden of the Palais-Royal.
1887年12月31日 · 受賞
Knight of the Legion of Honour
1889
Rodin and Monet at the Georges Petit gallery
“The Burghers of Calais” was the main event of a joint exhibition of Rodin and Claude Monet: thirty-six sculptures by Rodin and seventy paintings by Monet.
1890s–1900s
Young sculptors in Rodin's studio
His income let him hire gifted young sculptors, among them Antoine Bourdelle, Charles Despiau, Jules Desbois, François Pompon and Aristide Maillol. Constantin Brancusi left after two months, convinced that nothing grows under a big tree.
1891
Commission for the Balzac monument
The Société des Gens de Lettres, largely through the personal efforts of its president, Émile Zola, commissioned a monument to Balzac to be delivered in two years. Rodin pictured a massive standing figure with a large head and a body hidden in drapery, but he missed the deadline.
1893
Chicago: nudes behind a drape
Through the curator Sarah Hallowell, Rodin sent “Cupid and Psyche”, “Sphinx” and “Andromeda” to the Chicago World's Fair; the nudes caused such controversy that they were hidden behind a drape, with special permission needed to see them. Even so, the financier Charles Yerkes bought two large marbles and was probably the first American to own a Rodin.
