
Francis Picabiaフランス, 1879–1953Dada Movement (Mouvement Dada)
見られますか?
現在は展示されていません
『Dada Movement (Mouvement Dada)』は今どこに? 所蔵: ニューヨーク近代美術館, ニューヨーク. 現在は展示されていません. 確認 2026年9月22日.
ニューヨーク, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 出典
- 美術館
作品データ
- 収蔵番号
- 285.1937
カタログ収録
出典
- ニューヨーク近代美術館
- 画像: ニューヨーク近代美術館 — © the artist or rights holder
その頃、Francis Picabiaの人生では
生涯をすべて見る1915–1917
Leading New York Dada with Duchamp
Throughout his three years in New York Picabia mixed closely with avant-garde artists and, together with Marcel Duchamp, headed the New York section of the Dada movement.
c. 1919
Treatment in Zürich and meeting Tzara
While seeking treatment in Zürich for depression and suicidal impulses, Picabia met Tristan Tzara, whose radical ideas thrilled him. Back in Paris with his mistress Germaine Everling, he found himself among the Dadaists — Breton, Éluard, Soupault and Aragon, who met at Certa, a Basque bar.
1919年9月15日
Son born: Vincent Martinez-Picabia
1920
Edits the magazine Cannibale
In 1920 Picabia edited the magazine Cannibale, even more radical than his own review 391.
1920
Mocks Satie, then makes peace with him
In Paris, battling Jean Cocteau's “clique” alongside André Breton, Picabia mocked Satie in the Dada poem “Auric Satie à la noix de Cocteau”. A few months later he sent the composer a letter full of sympathy, and soon Satie printed two aphorisms in huge letters on the front page of 391.
1921
Renounces Dada
In 1921, having developed an interest in Surrealism, Picabia publicly denounced Dada. Of his changes of course he wrote: “If you want to have clean ideas, change them like shirts.”















