
Edward Westonアメリカ合衆国, 1886–1958お目にかかれますか?
ニューヨーク, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
October – November 1922
New York: meeting Stieglitz
New York is the cultural centre of art photography and Alfred Stieglitz its most influential figure; Weston lacks the money for the trip, but his brother-in-law gives him enough to continue from Middletown. He spends most of October and early November in the city, where he meets the artist Charles Sheeler, the photographers Clarence H. White and Gertrude Käsebier, and Stieglitz himself, who tells him that his work and attitude reassure him.
1923
Robo’s death and the exhibition in Mexico
Soon after Weston returns from New York, Robo moves to Mexico and arranges a joint exhibition of his own work and photographs by Weston, Mather and a few others; in early 1923 he contracts smallpox and dies shortly before Modotti arrives. Grief-stricken, she nevertheless stays and carries out the exhibition; the show is a success and, due in no small part to his nude studies of Modotti, firmly establishes Weston’s artistic reputation in Mexico.
30 July – 11 August 1923
Sails for Mexico with Modotti and his son
On 30 July a steamer takes Weston, his son Chandler and Modotti on the extended trip to Mexico; his wife Flora and their other three sons wave goodbye from the dock, and Flora is reported to have called out to Modotti to take good care of her boys. They arrive in Mexico City on 11 August and rent a large hacienda outside the city.
17 October 1923
Exhibition at the Aztec Land Gallery
The exhibition, arranged within a month of his arrival, opens on 17 October to glowing press reviews; he is particularly proud of Marius de Zayas’s review saying that photography is beginning to be photography, for until now it has only been art.
August 1925
Back in Mexico: a joint show with Modotti
His new relationship with Lerner does not last long, and in August he returns to Mexico, this time with his son Brett; Modotti has arranged a joint show of their photographs, and it opens the week he arrives. He receives new critical acclaim, and six of his prints are purchased for the State Museum.
late 1926
Break with Modotti and return to California
By the time they return from the trip, Weston and Modotti’s relationship has crumbled, and within less than two weeks he and Brett go back to California. He never travels to Mexico again.