Clipeus with Bust of Nike, 25 B.C.–A.D. 50

Clipeus with Bust of Nike

25 B.C.–A.D. 50 · Roundel

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『Clipeus with Bust of Nike』は今どこに? ゲティ・ヴィラ, Getty Villa, Gallery 211, The Roman Villa, ロサンゼルス. はい、現在展示中. 確認 2026年10月5日.

ゲティ・ヴィラ

ロサンゼルス, アメリカ合衆国

展示室Getty Villa, Gallery 211, The Roman Villa

閉館· 明日10:00に開館

一般公開されています。

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美術館

この彫刻について

Nike, the winged goddess of victory, reaches out from this shield-shaped roundel. The bust was cast separately and attached to the round backing. Nike wears a peplos over a button-sleeved chiton. Her hair, rolled back over the ears, falls in long tresses on her shoulders. The irises of her eyes are hollowed out, and were originally inlaid with a contrasting material. The items she once held in her outstretched are now missing, but were probably a victor’s palm branch and a wreath. This decorative appliqué may have been reused in antiquity. The four holes drilled through the roundel once held nails or rivets, attaching it to another object. A blob of lead on the back, however, suggests that at a later date the attachment was soldered on.

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Whether this was a repair to the original roundel, or a reuse on a different item is unclear.Figures in high relief were popular decorative attachments on many Roman household items, such as furniture, chests, and even chariots. Similar examples discovered at Pompeii suggest that such bronzes served as luxurious decoration for wooden furniture. In the late first century, high-relief figures, especially human busts and animal protomes, were set against a round background called a clipeus, or shield, because of its shape. These small-scale images echo much larger versions used to adorn Roman buildings, and they ultimately derive from the votive shields once hung on Greek temples.

ゲティ・ヴィラ

作品データ

収蔵番号
96.AC.180

カタログ収録

出典

同じ展示室 · Getty Villa, Gallery 211, The Roman Villa, ゲティ・ヴィラ

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