Snyders, Fransフランドル, 1579–1657Ceres and Pan
見られますか？
不明
『Ceres and Pan』は今どこに？ 所蔵: プラド美術館, Madrid. 不明.
Madrid, スペイン王国
所蔵者は判明していますが、現在展示中かどうかは不明です。
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- P001672
カタログ収録
出典
- ウィキデータ
- 画像： プラド美術館 — Frans Snyders / Workshop of Peter Paul Rubens · Public domain · Wikimedia Commons
その頃、Snyders, Fransの人生では
生涯をすべて見る1609–1657 · 活動地
Antwerp
1610–1640
A close collaboration with Rubens
From the 1610s Snyders works with Rubens, who admires his ability to render the textures of fur and skin and often has him paint animals, fruit and still life in his own pictures; the collaboration is particularly close between 1610 and 1640. At first Rubens himself sketches the whole composition in oils and marks the place for Snyders’s contribution (“The Recognition of Philopoemen”, regarded as the first Baroque still life with figures), while in “Prometheus Bound” it is the reverse: Snyders makes the sketch, leaving space for Rubens’s figure. Contemporaries had difficulty telling their hands apart in joint works, and after Rubens’s death Snyders was one of the appraisers of the inventory of his collection.
after 1614
The dark backgrounds of his early still lifes disappear
After 1614 the dark surroundings of his early still lifes disappear, and Snyders becomes a fine colourist with a strong sense of composition, able to structure a profusion of disparate objects.
