Robert Rauschenbergアメリカ合衆国, 1925–2008Blue Eagle
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ホイットニー美術館
ニューヨーク, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 8 日前
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- 2002.260
出典
- ホイットニー美術館: the museum's own open data · 8 日前に取得
- 画像： ホイットニー美術館 — © the artist or rights holder
その頃、Robert Rauschenbergの人生では
生涯をすべて見る1954–1961
Lives with the artist Jasper Johns
From 1954 to 1961 Rauschenberg lived with his partner, the artist Jasper Johns. They constantly exchanged ideas and took part in each other's work, but never made objects under joint authorship.
1959年7月11日–1959年10月11日
Exhibition: Documenta II
1962
Takes up silkscreen after visiting Warhol's studio
By 1962 Rauschenberg's paintings took in not only found objects but found images: after a visit to Andy Warhol's studio he began transferring photographs to canvas by silkscreen, a technique of commercial printing. The silkscreen paintings of 1962–1964 led critics to identify him with Pop art.
1963
First retrospective, at the Jewish Museum
Rauschenberg's first career retrospective was organised by the Jewish Museum in New York.
May 1963
Choreographs his first performance, “Pelican”
In the early 1960s Rauschenberg was involved in the radical dance-theatre experiments at Judson Memorial Church in Greenwich Village, and in May 1963 he choreographed his first performance, “Pelican”, for the Judson Dance Theater. His close friends from Cunningham's circle — Carolyn Brown, Viola Farber and Steve Paxton — danced in his pieces.
