Beer-garden in Brannenburg, Max Liebermann, 1893
Max Liebermannの肖像Max Liebermannドイツ, 1847–1935

Beer-garden in Brannenburg

1893 · Painting · 70 × 100.2 cm

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『Beer-garden in Brannenburg』は今どこに? 所蔵: オルセー美術館, パリ. 不明.

オルセー美術館

パリ, フランス

所蔵者は判明していますが、現在展示中かどうかは不明です。

この状態になった日
出典
美術館

作品データ

収蔵番号
RF 1977 227

カタログ収録

出典

  • ウィキデータ
  • 画像: オルセー美術館 — Max Liebermann · Public domain · Wikimedia Commons

その頃、Max Liebermannの人生では

生涯をすべて見る
  1. spring 1891

    Great Gold Medal for “Woman with Goats”

    In the spring of 1891 the picture won Liebermann the Great Gold Medal at the Munich exhibition, and at the Vienna exhibition in 1894 it received a large gold medal as well.

  2. 5 February 1892

    The “Group of Eleven” is formed

    Eleven independent artists joined forces in Berlin — the basis of the later Berlin Secession, which led the opposition to the conservative academic school. According to Lovis Corinth, soon after its founding Liebermann became the “secret leader of the eleven anarchists”.

  3. 1892

    Moving into his parents' mansion on Pariser Platz

    When his mother's health failed — a few months before her death — Liebermann moved his family into the mansion on Pariser Platz that his father had bought. He kept to a strict routine, working from ten in the morning to six in the evening in his studio on Auguste-Viktoria-Straße, and confessed that he had become a real bourgeois.

  4. 1892

    The Edvard Munch exhibition scandal in Berlin

    The Association of Berlin Artists staged an exhibition of 55 paintings by Munch, but a general assembly voted 120 to 105 to close it, which finally split Anton von Werner's conservatives from Liebermann's modernists. Sixty protesting members of the Association united under his leadership in the “Free Association of Artists”.

  5. 1894

    Death of his father Louis Liebermann

    Shortly before, late feelings for his father had awakened in Liebermann and the old disagreements had receded; after their reconciliation, the parting was especially hard. He became one of the heirs to a millionaire's fortune and the owner of the mansion on Pariser Platz — the police allowed the studio under its roof only in 1896, through the intervention of the minister of public works Karl von Thielen.

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