
Nicolas Poussinフランス, 1594–1665Cupids Hunting
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はい、現在展示中
『Cupids Hunting』は今どこに? エルミタージュ美術館, 展示室 279, サンクトペテルブルク. はい、現在展示中. 確認 2026年8月29日.
サンクトペテルブルク, ロシア
開館中· 21:00まで
一般公開されています。
- 確認
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- ГЭ-1196
カタログ収録
出典
- エルミタージュ美術館
- 画像: エルミタージュ美術館 — Museum open access
その頃、Nicolas Poussinの人生では
生涯をすべて見る1620s
The Cavaliere Marino takes the painter under his wing
Poussin’s work caught the attention of the Italian poet Cavaliere Marino, then living in France; his patronage let the thirty-year-old painter work in peace. According to Bellori the poet took him into his house and helped him with the invention of subjects and the rendering of emotion, and in Marino’s house Poussin gained access to a library with treatises by Alberti and Dürer and manuscripts and drawings by Leonardo.
c. 1629
A grave illness: the Dughet family nurses Poussin
Around 1629 Poussin fell gravely ill and was nursed by the family of the French pastry-cook Dughet; on recovering he became engaged to the eldest daughter, Anne-Marie. The wedding in the church of San Lorenzo in Lucina took place on 1 September 1630.
1630
Gives up monumental commissions
In 1630 the commission headed by Domenichino and d’Arpino gave the decoration of the Chapel of the Immaculate Conception in San Luigi dei Francesi to the Lorrainer Charles Mellin, not to Poussin. After that he firmly renounced the monumental genre and turned to “cabinet painting” for private patrons.
1630
Patron: Cardinal Camillo Massimo
Thanks to his earlier patrons, Cassiano dal Pozzo and Giulio Rospigliosi, in 1630 Poussin gained a powerful patron in Cardinal Camillo Massimo: the cardinal visited him in his studio after a serious illness, and the painter gave him a self-portrait drawing with a dedication. They worked together until Poussin left for Paris in 1640.
1630年8月9日
Married: Anne-Marie Dughet
1632
Elected to the Academy of St Luke
In 1632 Poussin was elected a member of the Academy of St Luke — two years after he had given up monumental commissions for cabinet painting.


