![[Album de photographies], Laszlo Moholy-Nagy, 1925-1927](https://pop-perf-assets.s3.gra.io.cloud.ovh.net/joconde/09940003770/4s02549.jpg)
László Moholy-Nagyアメリカ合衆国, 1895–1946[Album de photographies]
見られますか？
不明
『[Album de photographies]』は今どこに？ 所蔵: グルノーブル美術館, グルノーブル. 不明.
グルノーブル, フランス
所蔵者は判明していますが、現在展示中かどうかは不明です。
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- MG 3422
カタログ収録
出典
- グルノーブル美術館
- 画像： グルノーブル美術館 — © Ville de Grenoble / Musée de Grenoble-J.L. Lacroix; Ministère de la Culture (France), base Joconde
その頃、László Moholy-Nagyの人生では
生涯をすべて見る1920–1933 · 居住
Berlin
1923
Gropius brings him to the Bauhaus
László took over Johannes Itten's role co-teaching the foundation course with Josef Albers and replaced Paul Klee as head of the metal workshop. This effectively ended the school's Expressionist leanings and moved it back towards its original aims of design and integration with industry. Other accounts count Albers among his students.
1924
Meets Mayakovsky
In 1924 Moholy-Nagy met Vladimir Mayakovsky and made several photographic portraits of him.
1925
The book “Painting, Photography, Film”
Published in the Bauhaus Books series, it is where Moholy-Nagy chose the word “photosculpture” for his photomontages and advanced the idea of “New Vision” — that the camera could show the world as the eye cannot. He was the first interwar artist to suggest using the telescope, microscope and radiography in art; in 1929 the book appeared in Moscow as “Painting or Photography”.
1928
Leaves the Bauhaus for his own Berlin studio
In 1928 Moholy-Nagy left the Bauhaus (Marianne Brandt took over the metal workshop) and set up his own design studio in Berlin, employing István Seboek, György Kepes and Andor Weininger. He designed sets for operatic and theatrical productions (including Erwin Piscator's political theatre) as well as exhibitions and books, ad campaigns and films.
1929
Helps organise “Film und Foto” in Stuttgart
Moholy-Nagy was brought in to help organise the famous “Film und Foto” exhibition in Stuttgart.
