
Paul Gauguinフランス, 1848–1903Aha Oe Feii?
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『Aha Oe Feii?』は今どこに? 所蔵: プーシキン美術館, モスクワ. 不明.
モスクワ, ロシア
所蔵者は判明していますが、現在展示中かどうかは不明です。
- 出典
- 美術館
この絵画について
Aha Oe Feii? or Are You Jealous? (French: Eh quoi ! Tu es jalouse ?) is an oil-on-canvas painting by Paul Gauguin from 1892, based on a real-life episode during his stay on Tahiti which he later described in the diary Noa Noa: "On the shore two sisters are lying after bathing, in the graceful poses of resting animals; they speak of yesterday's love and tomorrow's conquests. The recollection causes them to quarrel, "What? Are you jealous?" Gauguin titled the painting in Tahitian language, Aha Oe Feii?, in the lower left corner of the canvas.
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The painting evokes a sense of Pacific paradise in which sexual relations are playful and harmless. According to Professor Peter Toohey, "this jealousy is not the product of a threat to an exclusive sexual relationship or jilted love affair – it is the result of one of the sisters having enjoyed more sex than the other the night before". In a letter to his friend from 1892, Gauguin wrote about the painting: "I think this is the best of what I've made so far".
The painting is housed in the Pushkin Museum, Moscow, Russia.
作品データ
- 収蔵番号
- Ж-3269
カタログ収録
出典
- プーシキン美術館
- 画像: プーシキン美術館 — © Pushkin State Museum of Fine Arts
その頃、Paul Gauguinの人生では
生涯をすべて見る1870s–1891 · 活動地
Paris
1886–1891 · 活動地
Pont-Aven
1891
Successful Auction at the Hôtel Drouot
A successful auction of paintings at the Hôtel Drouot in Paris in February 1891, aided by a glowing review from Octave Mirbeau, together with a banquet and a benefit concert, provided the funds for the journey to Tahiti.
1 April 1891
Departure for Tahiti
On 1 April 1891, after a final visit to his wife and children in Copenhagen, Gauguin sailed for Tahiti, intending to escape European civilization and "everything that is artificial and conventional." He spent his first three months in Papeete, then set up a studio in a bamboo hut at Mataiea.
1891–1901 · 活動地
Tahiti
1893
Return to France
In August 1893 Gauguin returned to France, where he continued painting Tahitian subjects such as Mahana no atua and Nave nave moe; he rented an apartment on rue Vercingétorix on the edge of Montparnasse and held a weekly salon, cultivating an exotic image.













