David Hockneyイギリス, 1937–2026A Room in Sarastro's Palace
見られますか？
いいえ、盗難に遭い捜索中です
『A Room in Sarastro's Palace』は今どこに？ いいえ、盗難に遭い捜索中です. 確認 2026年9月29日.
FBIの全米盗難美術品ファイルに番号00226で登録。
- 確認
- · 報告による
- この状態になった日
- 出典
- 盗難美術品の登録簿
この絵画について
Egyptian stylized art. The work is a design rendering for a backdrop for Act I sc. 3 of the opera, "The Magic Flute." It consists of two layers of cardboard painted with gouache. The first layer is a painting of two figures seated at a table in front of a light blue background. The blue background is surrounded by a pattern of red, yellow, blue and white blocks on a grey background. The center of the second layers cut out in the same shape as the blue background of the first layer. The pattern of blocks on the grey background is continued from the first layer.
作品データ
カタログ収録
出典
- FBI 盗難美術品ファイル
- 画像： FBI National Stolen Art File
その頃、David Hockneyの人生では
生涯をすべて見る1966–1978
Stage designer: “Ubu Roi” and the Glyndebourne operas
Hockney’s first stage designs are for “Ubu Roi” at London’s Royal Court Theatre (1966), followed by Stravinsky’s “The Rake’s Progress” (1975) and “The Magic Flute” (1978) for the Glyndebourne Festival Opera. It is the start of the opera work that will go on in New York, Los Angeles, Chicago and London.
1977年6月24日–1977年10月2日
Exhibition: Documenta 6
1979
A founder of the Museum of Contemporary Art, Los Angeles
In 1979 Hockney is a founder of the Museum of Contemporary Art, Los Angeles.
1979
Hearing aids from 1979
Hockney’s hearing has been failing since the 1970s: he realised he was going deaf several years before he began using hearing aids in 1979. He also described synaesthetic associations between sound, colour and shape.
