Utagawa Kunisada日本, 1786–1865A Picnic
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アムステルダム国立美術館
アムステルダム, オランダ
所蔵者は判明していますが、現在展示中かどうかは不明です。
- 出典
- 美術館
作品について
美術館の言葉で — オランダ語
Een rode mat met een shamisen (Japans snaarinstrument) en een picknickset. Net als het gedicht, verwijst ook de afbeelding naar een feestje ter gelegenheid van het bloeien van de kersenbomen. Wanneer de kersenbloesems in volle bloei zijn, zijn er in Japan traditiegetrouw veel feestjes met onder de bomen picknickende mensen.
アムステルダム国立美術館
作品データ
- 収蔵番号
- RP-P-1999-257-9
その頃、Utagawa Kunisadaの人生では
生涯をすべて見る1808
Beginning of Work as a Book Illustrator
From 1808 he worked as a book illustrator, and the popularity of his drawings grew year by year. In 1808 or 1809 his first series of portraits of theatre actors appeared.
1809
The "Star" of the Utagawa School
Contemporaries called him the "star" of the Utagawa school; his first bijin-ga series and a series of views of Edo appeared at the same time, and in 1810–1811 he was judged the equal in skill of his teacher Toyokuni.
from 1810
The Pseudonym Gogotei
He began using the pseudonym Gogotei (a hidden reference to his father's ferry business), which appears on nearly all his kabuki-themed prints up to 1842.
1813
Second Master of Ukiyo-e After Toyokuni
A contemporary ranking of the most important ukiyo-e masters placed Kunisada second only to his teacher Toyokuni — official recognition in the art world of Edo.
