Auguste Rodinフランス, 1840–1917Ο άνθρωπος που βαδίζει πάνω σε κολόνα
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不明：美術館は黙して語らず
ナショナル・ギャラリー
アテネ, ギリシャ
所蔵者はわかっています。いま展示されているかどうかは美術館が公表しておらず、当て推量は私どもの流儀ではありません。
- この状態になった日
- 2026年9月27日
- 出典
- 美術館自身の所蔵データ
作品データ
What it shows
出典
- ナショナル・ギャラリー: the museum's own open data · 4 日前に取得
- 画像： ナショナル・ギャラリー — CC BY-NC-ND 4.0
その頃、Auguste Rodinの人生では
生涯をすべて見る1890s–1900s
Young sculptors in Rodin's studio
His income let him hire gifted young sculptors, among them Antoine Bourdelle, Charles Despiau, Jules Desbois, François Pompon and Aristide Maillol. Constantin Brancusi left after two months, convinced that nothing grows under a big tree.
1897–1899
Anna Golubkina becomes his pupil
The Russian sculptor Anna Golubkina was Rodin's pupil in 1897–1899.
1898
Parts from Camille Claudel
Rodin never gave up Rose Beuret, his companion of the lean years and the mother of his son; in 1898 he and Claudel parted. A few years later Claudel suffered what is called a nervous breakdown, and her family confined her to an institution for thirty years.
1898
The scandal over “Balzac”
The monument's showing in 1898 caused a storm: the Société des Gens de Lettres rejected it, the press ran parodies, and Monet, Debussy and the future premier Clemenceau signed a manifesto in Rodin's defence. Rodin repaid the commission and moved the statue to his garden; he never completed another public commission.
1900
Rodin's pavilion at the World's Fair
The French government gave him an entire pavilion: a retrospective of 136 sculptures and 14 unfinished works showed “The Gates of Hell” for the first time. The exhibition brought sales of sculptures to museums around the world worth about 200,000 francs.
1900s
Portraits of the famous and the rich
Rodin began to receive regular commissions for portraits; his clients included Bernard Shaw, Gustav Mahler, Georges Clemenceau, the Argentine president Sarmiento, the chemist Berthelot and the philanthropist Bertha Palmer. Clemenceau was displeased: he thought the portrait looked like a “Mongol general”.
