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ART WIKI

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Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

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Bronzo

17.237 opere da 436 musei2308 esposte ora Azzera tutto

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Tecnica

Tutte
Bronzo17.237
Gesso15.353
Legno10.617
Terracotta e ceramica9445
Marmo9435
Pietra7476
Metallo3651
Avorio1707

The Jolly Good Fellow (Le bon vivant), Imitator of Honoré Daumier, model probably after 1860, cast around November 1956

anonymousThe Jolly Good Fellow (Le bon vivant)model probably after 1860, cast around November 1956National Gallery of Art

Seated Satyr Holding a Candlestick and Inkwell, Follower of Andrea Briosco, called Riccio, c. 1530-1540

anonymousSeated Satyr Holding a Candlestick and Inkwellc. 1530-1540National Gallery of Art

The Listener (Le bourgeois en attente), Imitator of Honoré Daumier, model probably after 1860, cast around November 1956

anonymousThe Listener (Le bourgeois en attente)model probably after 1860, cast around November 1956National Gallery of Art

The Visitor (Le visiteur), Imitator of Honoré Daumier, model probably after 1860, cast around February 1956

anonymousThe Visitor (Le visiteur)model probably after 1860, cast around February 1956National Gallery of Art

A Sea Monster, Workshop of Severo da Ravenna, second quarter 16th century

anonymousA Sea Monstersecond quarter 16th centuryNational Gallery of Art

Christ Healing the Possessed Boy, Follower of Filippo Brunelleschi and Masaccio, c. 1450/1460

anonymousChrist Healing the Possessed Boyc. 1450/1460National Gallery of Art

Minerva, Style of Peter Flötner

anonymousMinervaNational Gallery of Art

The Dandy (Le dandy), Imitator of Honoré Daumier, model probably after 1860, cast around June 1951

anonymousThe Dandy (Le dandy)model probably after 1860, cast around June 1951National Gallery of Art

Louis II de Bourbon, Prince de Condé, after Antoine Coysevox, 1877/1901

anonymousLouis II de Bourbon, Prince de Condé1877/1901National Gallery of Art

Lucrezia Borgia, 1480-1519, Wife of Alfonso d'Este of Ferrara 1502, Style of Giancristoforo Romano, possibly 1502

anonymousLucrezia Borgia, 1480-1519, Wife of Alfonso d'Este of Ferrara 1502possibly 1502National Gallery of Art

The Stroller (Le bourgeois qui flâne), Imitator of Honoré Daumier, model probably after 1860, cast around January 1954

anonymousThe Stroller (Le bourgeois qui flâne)model probably after 1860, cast around January 1954National Gallery of Art

Door Knocker with Mask, Monsters and Putto, Circle of Hubert Gerhard, c. 1590-1600

anonymousDoor Knocker with Mask, Monsters and Puttoc. 1590-1600National Gallery of Art

Mortar, Foundry of Caspar Dietrich, second half 16th century

anonymousMortarsecond half 16th centuryNational Gallery of Art

Antonio di Dante Castiglione, Style of Niccolò Fiorentino, c. 1485/1500

anonymousAntonio di Dante Castiglionec. 1485/1500National Gallery of Art

Francesco Lancilotti, born 1472, Painter, Style of Niccolò Fiorentino, c. 1500/1510

anonymousFrancesco Lancilotti, born 1472, Painterc. 1500/1510National Gallery of Art

Woman Cutting Her Nails, Workshop of Barthélemy Prieur, early 17th century

anonymousWoman Cutting Her Nailsearly 17th centurySala 25 · Edificio Ovest, piano principaleNational Gallery of Art

Saint John the Baptist, Imitator of Desiderio da Settignano, c. 1850/1875

anonymousSaint John the Baptistc. 1850/1875National Gallery of Art

A Sand-Box (Triangular), Follower of Andrea Briosco, called Riccio, c. 1525/1540

anonymousA Sand-Box (Triangular)c. 1525/1540National Gallery of Art

Cupid on a Dolphin, Workshop of Francesco Fanelli, c. 1635/1660

anonymousCupid on a Dolphinc. 1635/1660National Gallery of Art

Mars, Style of Peter Flötner

anonymousMarsNational Gallery of Art

Christ on Tomb with Two Angels, German follower of Antonio Abondio, late 16th century

anonymousChrist on Tomb with Two Angelslate 16th centuryNational Gallery of Art

The Spinario, Workshop of Severo da Ravenna, first quarter 16th century

anonymousThe Spinariofirst quarter 16th centuryNational Gallery of Art

The Lover (L'amoureux), Imitator of Honoré Daumier, model probably after 1860, cast around January 1954

anonymousThe Lover (L'amoureux)model probably after 1860, cast around January 1954National Gallery of Art

Madonna and Child between Two Candelabra, Follower of Donatello

anonymousMadonna and Child between Two CandelabraNational Gallery of Art

Battle Scene, Style of Moderno

anonymousBattle SceneSala 16 · Edificio Ovest, piano terraNational Gallery of Art

Lorenzo de' Medici, il Magnifico, 1449-1492, Style of Niccolò Fiorentino, c. 1485/1500

anonymousLorenzo de' Medici, il Magnifico, 1449-1492c. 1485/1500National Gallery of Art

Infant Bacchanalians, after François Duquesnoy

anonymousInfant BacchanaliansNational Gallery of Art

Bather, Probably workshop of Johann Gregor van der Schardt, model c. 1570-1575, cast c. 1581-1620

anonymousBathermodel c. 1570-1575, cast c. 1581-1620National Gallery of Art

Dead Christ Supported by the Virgin and Saint John, Style of Moderno

anonymousDead Christ Supported by the Virgin and Saint JohnSala 16 · Edificio Ovest, piano terraNational Gallery of Art

Madonna and Child with Saints, Style of Andrea Sansovino

anonymousMadonna and Child with SaintsNational Gallery of Art

Henri IV, 1553-1610, King of France 1589, Style of Guillaume Dupré

anonymousHenri IV, 1553-1610, King of France 1589National Gallery of Art

Leonora Altoviti, Style of Niccolò Fiorentino, c. 1487

anonymousLeonora Altovitic. 1487Sala 16 · Edificio Ovest, piano terraNational Gallery of Art

Judith with the Head of Holofernes, Workshop of Andrea Briosco, called Riccio

anonymousJudith with the Head of HolofernesNational Gallery of Art

Mercury, after Giovanni Bologna, c. 1780/c. 1850

anonymousMercuryc. 1780/c. 1850Sala 107 · Edificio Ovest, piano principaleNational Gallery of Art

Lamp, Upper Portion, after Andrea Briosco, called Riccio, c. 1800/1899

anonymousLamp, Upper Portionc. 1800/1899National Gallery of Art

Hercules Carrying the Erymanthian Boar, after Giovanni Bologna, c. 1575/1675

anonymousHercules Carrying the Erymanthian Boarc. 1575/1675National Gallery of Art

The Madonna of the Rosary, Style of Jacopo Sansovino, mid 16th century

anonymousThe Madonna of the Rosarymid 16th centuryNational Gallery of Art

Lucrezia Borgia, 1480-1519, Wife of Alfonso d'Este of Ferrara 1502, Style of Giancristoforo Romano, c. 1502

anonymousLucrezia Borgia, 1480-1519, Wife of Alfonso d'Este of Ferrara 1502c. 1502National Gallery of Art

Ippolito d'Este, 1479-1520, Cardinal 1493, Style of Niccolò Fiorentino, probably 1503

anonymousIppolito d'Este, 1479-1520, Cardinal 1493probably 1503National Gallery of Art

Madonna and Child before a Niche, after Donatello, mid 15th century

anonymousMadonna and Child before a Nichemid 15th centuryNational Gallery of Art

Achille Tiberti of Cesena, died 1501, Style of Niccolò Fiorentino, c. 1495

anonymousAchille Tiberti of Cesena, died 1501c. 1495National Gallery of Art

An Allegorical Scene, Workshop of Andrea Briosco, called Riccio

anonymousAn Allegorical SceneNational Gallery of Art

Oil Lamp in the Form of a Female Sphinx, Follower of Andrea Briosco, called Riccio, first quarter 16th century

anonymousOil Lamp in the Form of a Female Sphinxfirst quarter 16th centuryNational Gallery of Art

The Martyrdom of Saint Sebastian, Style of Moderno

anonymousThe Martyrdom of Saint SebastianSala 16 · Edificio Ovest, piano terraNational Gallery of Art

Inkwell in the Form of a Child Carrying a Shell, Workshop of Severo da Ravenna, c. 1510/1520

anonymousInkwell in the Form of a Child Carrying a Shellc. 1510/1520National Gallery of Art

Entry of Alexander the Great into Babylon, or The Triumph of Alexander, after Charles Le Brun, 18th century

anonymousEntry of Alexander the Great into Babylon, or The Triumph of Alexander18th centuryNational Gallery of Art

Louis XIV, after Martin Desjardins, model c. 1683/1699, cast c. 1699

anonymousLouis XIVmodel c. 1683/1699, cast c. 1699National Gallery of Art

Bacchus, after Michelangelo, 16th/19th century

anonymousBacchus16th/19th centuryNational Gallery of Art

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