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Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

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Acquaforte85.883
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Linoleografia2516

In-text plate (folio 35) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 35) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

In-text plate (folio 13 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 13 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

Proof from À toute épreuve (Proof Against All) by Paul Éluard, Joan Miró, 1947–58

Joan MiróProof from À toute épreuve (Proof Against All) by Paul Éluard1947–58Museum of Modern Art

Headpiece (folio 7 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróHeadpiece (folio 7 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

The Adoration of the Shepherds, Giovanni Britto after Titian, c. 1532/1533

TitianThe Adoration of the Shepherdsc. 1532/1533National Gallery of Art

Presentation of the Virgin in the Temple [left plate], John Baptist Jackson after Titian, 1742

TitianPresentation of the Virgin in the Temple [left plate]1742National Gallery of Art

Plate (folio 38) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróPlate (folio 38) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

The Submersion of Pharoah's Army in the Red Sea, Titian, c. 1514/1515

TitianThe Submersion of Pharoah's Army in the Red Seac. 1514/1515National Gallery of Art

Caricature of the Laocoon Group, Attributed to Niccolò Boldrini after Titian, c. 1540/1545

TitianCaricature of the Laocoon Groupc. 1540/1545National Gallery of Art

Samson and Delilah, Niccolò Boldrini after Titian, c. 1540

TitianSamson and Delilahc. 1540National Gallery of Art

Chapter title page (folio 43) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróChapter title page (folio 43) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

Plate (folio 9 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróPlate (folio 9 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

Venus and Cupid, Niccolò Boldrini after Titian, 1566

TitianVenus and Cupid1566National Gallery of Art

Michel Ange modelant l'esclave (Michelangelo Sculpting "The Slave"), Auguste-Hilaire Léveillé after Auguste Rodin, 1894

Auguste RodinMichel Ange modelant l'esclave (Michelangelo Sculpting "The Slave")1894National Gallery of Art

Earth, New Year's greeting-card 1953, M.C. Escher, 1952

Maurits Cornelis EscherEarth, New Year's greeting-card 19531952National Gallery of Art

Serenade in Siena, M.C. Escher, 1923

Maurits Cornelis EscherSerenade in Siena1923National Gallery of Art

In-text plate (folio 27) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 27) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

Plate (folio 14 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróPlate (folio 14 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

In-text plate (folio 24) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 24) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

Santa Francesca Romana, M.C. Escher, 1934

Maurits Cornelis EscherSanta Francesca Romana1934National Gallery of Art

Mobius Strip II, M.C. Escher, 1963

Maurits Cornelis EscherMobius Strip II1963National Gallery of Art

Presentation of the Virgin in the Temple [center plate], John Baptist Jackson after Titian, 1742

TitianPresentation of the Virgin in the Temple [center plate]1742National Gallery of Art

Bookplate G.H.'s-Gravesande, M.C. Escher, 1940

Maurits Cornelis EscherBookplate G.H.'s-Gravesande1940National Gallery of Art

Day and Night, M.C. Escher, 1938

Maurits Cornelis EscherDay and Night1938National Gallery of Art

Landscape with a Milkmaid, Niccolò Boldrini after Titian, 1530s

TitianLandscape with a Milkmaid1530sNational Gallery of Art

Michel Ange modelant l'esclave (Michelangelo Sculpting "The Slave"), Auguste-Hilaire Léveillé after Auguste Rodin, 1894

Auguste RodinMichel Ange modelant l'esclave (Michelangelo Sculpting "The Slave")1894National Gallery of Art

In-text plate (folio 35 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 35 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

Plate (folio 21 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróPlate (folio 21 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

Spirals, M.C. Escher, 1953

Maurits Cornelis EscherSpirals1953National Gallery of Art

Plate (folio 9) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróPlate (folio 9) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

The Death of Saint Peter Martyr, John Baptist Jackson after Titian, 1739

TitianThe Death of Saint Peter Martyr1739National Gallery of Art

Chapter title (folio 7) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróChapter title (folio 7) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

In-text plate (folio 15) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 15) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

Knots, M.C. Escher, 1965

Maurits Cornelis EscherKnots1965National Gallery of Art

Bookplate Albert Ernst Bosman, M.C. Escher, probably 1946

Maurits Cornelis EscherBookplate Albert Ernst Bosmanprobably 1946National Gallery of Art

In-text plate (folio 32 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 32 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

Presentation of the Virgin in the Temple (Right Panel), John Baptist Jackson, after Titian, 1742

TitianPresentation of the Virgin in the Temple (Right Panel)1742National Gallery of Art

Rossano, Calabria, M.C. Escher, 1931

Maurits Cornelis EscherRossano, Calabria1931National Gallery of Art

Christ Crowned with Thorns, Andrea Meldolla, called Schiavone, after Titian, 1550s

TitianChrist Crowned with Thorns1550sNational Gallery of Art

The Death of Saint Peter Martyr, John Baptist Jackson after Titian, c. 1738

TitianThe Death of Saint Peter Martyrc. 1738National Gallery of Art

In-text plate (folio 15 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 15 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

New Year's greeting-card 1947, Nederlandsche ExLibris-Kring, M.C. Escher, 1946

Maurits Cornelis EscherNew Year's greeting-card 1947, Nederlandsche ExLibris-Kring1946National Gallery of Art

Between St. Peter's and the Sistine Chapel, M.C. Escher, 1936

Maurits Cornelis EscherBetween St. Peter's and the Sistine Chapel1936National Gallery of Art

In-text plate (folio 36 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 36 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

In-text plate (folio 23 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 23 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

In-text plate (folio 28) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 28) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

In-text plate (folio 20) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 20) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

Plate (folio 27 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróPlate (folio 27 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

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