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Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

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The Mother Hen (La Mère poule) (plate, facing page 118) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle), Pablo Picasso, 1936, published 1942Pablo PicassoThe Mother Hen (La Mère poule) (plate, facing page 118) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle)1936, published 1942Museum of Modern Art
The Wasp (La Guêpe) (plate, facing page 140) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle), Pablo Picasso, 1936, published 1942Pablo PicassoThe Wasp (La Guêpe) (plate, facing page 140) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle)1936, published 1942Museum of Modern Art
The Lizard (Le Lézard) (plate, facing page 148) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle), Pablo Picasso, 1936, published 1942Pablo PicassoThe Lizard (Le Lézard) (plate, facing page 148) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle)1936, published 1942Museum of Modern Art
A une dame qui, en otant de son doigt une bague, se piqua avec une épingle from Vingt poëmes, Pablo Picasso, 1947, published 1948Pablo PicassoA une dame qui, en otant de son doigt une bague, se piqua avec une épingle from Vingt poëmes1947, published 1948Museum of Modern Art
"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950Pablo Picasso"Présence" (chapter title, page 13) from Corps perdu1949, published 1950MoMA, Floor 5, 520Museum of Modern Art
The Turkey (Le Dindon) (plate XIX, facing page 122) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle), Pablo Picasso, 1936, published 1942Pablo PicassoThe Turkey (Le Dindon) (plate XIX, facing page 122) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle)1936, published 1942Museum of Modern Art
Le Poète à un excellent peintre étranger qui faisait son portrait from Vingt poëmes, Pablo Picasso, 1947, published 1948Pablo PicassoLe Poète à un excellent peintre étranger qui faisait son portrait from Vingt poëmes1947, published 1948Museum of Modern Art
Bullfighter Signaling the Death of the Bull After the Stab, plate 21 from the illustrated book La Tauromaquia, Pablo Picasso, 1957-1959Pablo PicassoBullfighter Signaling the Death of the Bull After the Stab, plate 21 from the illustrated book La Tauromaquia1957-1959Museum of Modern Art
Portrait of Françoise with Long Neck I (Portrait de Françoise au long cou I), Pablo Picasso, 1946Pablo PicassoPortrait of Françoise with Long Neck I (Portrait de Françoise au long cou I)1946Museum of Modern Art
Le Poète reproche au soleil de l'avoir obligé à quitter sa dame from Vingt poëmes, Pablo Picasso, 1947, published 1948Pablo PicassoLe Poète reproche au soleil de l'avoir obligé à quitter sa dame from Vingt poëmes1947, published 1948Museum of Modern Art
Picador Charging the Bull with his Lance, plate 12 from the illustrated book La Tauromaquia, Pablo Picasso, 1957-1959Pablo PicassoPicador Charging the Bull with his Lance, plate 12 from the illustrated book La Tauromaquia1957-1959Museum of Modern Art
Vingt poëmes, Pablo Picasso, 1947–48, published 1948Pablo PicassoVingt poëmes1947–48, published 1948Museum of Modern Art
Diogenes, Maria Catharina Prestel after Giorgio Vasari after Raphael, 1779RaphaelDiogenes1779National Gallery of Art
Women Bathing (Badende kvinner), Edvard Munch, 1895Edvard MunchWomen Bathing (Badende kvinner)1895National Gallery of Art
Summer Evening (Sommernacht), Edvard Munch, 1895Edvard MunchSummer Evening (Sommernacht)1895National Gallery of Art
Female Nude in an Interior, Edvard Munch, 1896Edvard MunchFemale Nude in an Interior1896National Gallery of Art
Summer Evening (Sommernacht), Edvard Munch, 1895Edvard MunchSummer Evening (Sommernacht)1895National Gallery of Art
Female Nude, Edvard Munch, 1896Edvard MunchFemale Nude1896National Gallery of Art
Girls Bathing (Badende Madchen), Edvard Munch, 1895Edvard MunchGirls Bathing (Badende Madchen)1895National Gallery of Art
Consolation (Trost), Edvard Munch, 1894Edvard MunchConsolation (Trost)1894National Gallery of Art
Model with Hood and Collar, Edvard Munch, 1897Edvard MunchModel with Hood and Collar1897Museum of Modern Art
Sending Dogs After the Bull, plate 11 from the illustrated book La Tauromaquia, Pablo Picasso, 1957-1959Pablo PicassoSending Dogs After the Bull, plate 11 from the illustrated book La Tauromaquia1957-1959Museum of Modern Art
Sculptor at Work (Sculpteur au travail) (frontispiece) from Sable mouvant, Pablo Picasso, 1964, published 1966Pablo PicassoSculptor at Work (Sculpteur au travail) (frontispiece) from Sable mouvant1964, published 1966Museum of Modern Art
A Licitus, gentilhomme très sot et très riche from Vingt poëmes, Pablo Picasso, 1947, published 1948Pablo PicassoA Licitus, gentilhomme très sot et très riche from Vingt poëmes1947, published 1948Museum of Modern Art
Untitled from Spirit Cooking, Marina Abramović, 1996Marina AbramovicUntitled from Spirit Cooking1996Museum of Modern Art
Untitled from Spirit Cooking, Marina Abramović, 1996Marina AbramovicUntitled from Spirit Cooking1996Museum of Modern Art
Untitled from Spirit Cooking, Marina Abramović, 1996Marina AbramovicUntitled from Spirit Cooking1996Museum of Modern Art
Untitled from Spirit Cooking, Marina Abramović, 1996Marina AbramovicUntitled from Spirit Cooking1996Museum of Modern Art
Henry IV, Jean-François Janinet after Sir Peter Paul Rubens, 1777Peter Paul RubensHenry IV1777National Gallery of Art
Paysage de Baucis (Landscape of Baucis), René Magritte, 1966René MagrittePaysage de Baucis (Landscape of Baucis)1966National Gallery of Art
Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957Joan MiróPlate XIII from The Ring of Dawn Suite (Suite la bague d'aurore)1957Museum of Modern Art
Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957Joan MiróPlate V from The Ring of Dawn Suite (Suite la bague d'aurore)1957Museum of Modern Art
Frontispiece from Bagatelles végétales, Joan Miró, 1956Joan MiróFrontispiece from Bagatelles végétales1956Museum of Modern Art
Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957Joan MiróPlate I from The Ring of Dawn Suite (Suite la bague d'aurore)1957Museum of Modern Art
Plate (page 31) from Bagatelles végétales, Joan Miró, 1956Joan MiróPlate (page 31) from Bagatelles végétales1956Museum of Modern Art
Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957Joan MiróPlate II from The Ring of Dawn Suite (Suite la bague d'aurore)1957Museum of Modern Art
Por que fue sensible (Because She Was Susceptible), Francisco Goya, published 1799Francisco de GoyaPor que fue sensible (Because She Was Susceptible)published 1799National Gallery of Art
Asta su abuelo (And So Was His Grandfather), Francisco Goya, published 1799Francisco de GoyaAsta su abuelo (And So Was His Grandfather)published 1799National Gallery of Art
Maria Lani, Henri Matisse, 1928Henri MatisseMaria Lani1928National Gallery of Art
Nadia - Face with Slanted Eyes (Nadia - Visage aux yeux obliques), Henri Matisse, 1948Henri MatisseNadia - Face with Slanted Eyes (Nadia - Visage aux yeux obliques)1948National Gallery of Art
White Mask on Black Background (Masque blanc sur fond noir), Henri Matisse, 1949–50, printed 1966Henri MatisseWhite Mask on Black Background (Masque blanc sur fond noir)1949–50, printed 1966Museum of Modern Art
Nadia with Sharp Profile (Nadia au profil aigu), Henri Matisse, 1948Henri MatisseNadia with Sharp Profile (Nadia au profil aigu)1948Museum of Modern Art
Nadia. Smiling Face (Nadia. Masque souriant), Henri Matisse, 1948Henri MatisseNadia. Smiling Face (Nadia. Masque souriant)1948Museum of Modern Art
Marie-José in a Yellow Dress (Marie-José en robe jaune), Henri Matisse, 1950Henri MatisseMarie-José in a Yellow Dress (Marie-José en robe jaune)1950Museum of Modern Art
Apollinaire, Matisse, Rouveyre (Trois têtes. A l'amitié), Henri Matisse, (c. 1951-52, printed 1966)Henri MatisseApollinaire, Matisse, Rouveyre (Trois têtes. A l'amitié)(c. 1951-52, printed 1966)Museum of Modern Art
The Hawk (L'Épervier) (plate XV, facing page 102) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle), Pablo Picasso, 1936, published 1942Pablo PicassoThe Hawk (L'Épervier) (plate XV, facing page 102) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle)1936, published 1942Museum of Modern Art
The Goldfinch (Le Chardonneret) (plate, facing page 130) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle), Pablo Picasso, 1936, published 1942Pablo PicassoThe Goldfinch (Le Chardonneret) (plate, facing page 130) from Eaux-fortes originale pour des textes de Buffon (Histoire naturelle)1936, published 1942Museum of Modern Art
"Your Portrait" (chapter title, page 85) from Corps perdu, Pablo Picasso, 1949, published 1950Pablo Picasso"Your Portrait" (chapter title, page 85) from Corps perdu1949, published 1950Museum of Modern Art
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