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Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 73 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 73 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
The Battle of Pharsalus and the Death of Pompey, Workshop of Apollonio di Giovanni, c. 1455Workshop of Apollonio di GiovanniThe Battle of Pharsalus and the Death of Pompeyc. 1455Sala 238Art Institute of Chicago
Dåben på Pinsedag, Niels Skovgaard, 1898Niels SkovgaardDåben på Pinsedag1898Statens Museum for Kunst
Folio 18 from a Chandana Malayagiri Varta (Story of King Chandana and Queen Malayagiri) of Karamachand: Ravana battles the great vulture Jatayu and defeats him by throwing stones in his mouth (recto); Jatayu approaches Rama and Lakshmana who are wondering where Sita could be (verso), 1744–45Folio 18 from a Chandana Malayagiri Varta (Story of King Chandana and Queen Malayagiri) of Karamachand: Ravana battles the great vulture Jatayu and defeats him by throwing stones in his mouth (recto); Jatayu approaches Rama and Lakshmana who are wondering where Sita could be (verso)1744–45Cleveland Museum of Art
Rishyashringa addresses the courtesans, from the "Shangri" Ramayana, c. 1700–1725Rishyashringa addresses the courtesans, from the "Shangri" Ramayanac. 1700–1725Cleveland Museum of Art
Krishna quells the serpent Kaliya (verso), from a Kalighat album, c. 1890Krishna quells the serpent Kaliya (verso), from a Kalighat albumc. 1890Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Twenty-sixth Night, from a Tuti-nama (Tales of a Parrot), c. 1560The Parrot Addresses Khujasta at the Beginning of the Twenty-sixth Night, from a Tuti-nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
Votive initiation card (tsakali) with preaching Buddha Shakyamuni, 1000sVotive initiation card (tsakali) with preaching Buddha Shakyamuni1000sCleveland Museum of Art
Tuti-Nama (Tales of a Parrot), c. 1560Tuti-Nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
Text, Folio 37 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 37 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 137 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 137 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, folio 51 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 51 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Pietà, After Cosimo Tura, 1475/1500After Cosimo TuraPietà1475/1500Art Institute of Chicago
The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318), Basavana, c. 1596BasavanaThe siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318)c. 1596Cleveland Museum of Art
Radha's hair being dressed, c. 1790–1800Radha's hair being dressedc. 1790–1800242B Indian PaintingCleveland Museum of Art
The guard spares the life of the slave when he learns that he is the son of the princess of the Rum, from a Tuti-nama (Tales of a Parrot): Fiftieth Night, c. 1560The guard spares the life of the slave when he learns that he is the son of the princess of the Rum, from a Tuti-nama (Tales of a Parrot): Fiftieth Nightc. 1560Cleveland Museum of Art
Man Dyeing Cloth, early 1830sMan Dyeing Clothearly 1830sCleveland Museum of Art
Text, Folio 80 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 80 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 88 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 88 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 15 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 15 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
War Series: The Letter, Jacob Lawrence, 1946Jacob LawrenceWar Series: The Letter1946EspostaWhitney Museum of American Art
The lion returns to his territory and sees the monkey conversing with the lynx, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night, c. 1560The lion returns to his territory and sees the monkey conversing with the lynx, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Nightc. 1560Cleveland Museum of Art
Nanda and the elders, page from a Bhagavata Purana, c. 1525–40Nanda and the elders, page from a Bhagavata Puranac. 1525–40Cleveland Museum of Art
The daughter-in-law of the king of Banaras, charmed by the music of a vagabond, comes down to meet him, from a Tuti-nama (Tales of a Parrot): Sixteenth Night, c. 1560The daughter-in-law of the king of Banaras, charmed by the music of a vagabond, comes down to meet him, from a Tuti-nama (Tales of a Parrot): Sixteenth Nightc. 1560Cleveland Museum of Art
The fourth man digs at the spot where he dropped the shell, expecting jewels, but discovering mere iron, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night, c. 1560The fourth man digs at the spot where he dropped the shell, expecting jewels, but discovering mere iron, from a Tuti-nama (Tales of a Parrot): Forty-seventh Nightc. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 52 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 52 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Shiva intercedes for King Bana, from an Usha-Aniruddha, c. 1840Shiva intercedes for King Bana, from an Usha-Aniruddhac. 1840Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 67 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 67 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
The Passion of Sacco and Vanzetti, Ben Shahn, 1931–1932Ben ShahnThe Passion of Sacco and Vanzetti1931–1932Whitney Museum of American Art
Folio 1, from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka, 1428Folio 1, from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka1428Cleveland Museum of Art
The game of wolf-running in Tabriz, from an Akbar-nama (Book of Akbar), Banavari 1, c. 1595–1600Banavari 1The game of wolf-running in Tabriz, from an Akbar-nama (Book of Akbar)c. 1595–1600Cleveland Museum of Art
Krishna Exacts a Toll from the Milkmaids: Dana-Lila, from a Bhagavata Purana, c. 1600Krishna Exacts a Toll from the Milkmaids: Dana-Lila, from a Bhagavata Puranac. 1600Cleveland Museum of Art
The parrot addresses Khujasta at the beginning of the fifty-first night, from a Tuti-nama (Tales of a Parrot): Fifty-first Night, c. 1560The parrot addresses Khujasta at the beginning of the fifty-first night, from a Tuti-nama (Tales of a Parrot): Fifty-first Nightc. 1560Cleveland Museum of Art
Text, Folio 57 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 57 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Durga (verso), from a Kalighat album, c. 1890Durga (verso), from a Kalighat albumc. 1890Cleveland Museum of Art
Text, Folio 18 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 18 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
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