Замок, Nicholas Roerich, early 1900s
Nicholas Roerich, ritrattoNicholas RoerichRussia, 1874–1947

Замок

early 1900s · Drawing · 9.8 × 14.5 cm

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Museo russo

San Pietroburgo, Russia

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Numero di inventario
Р-50210

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  • Immagine: Museo russo — © State Russian Museum

Nella vita di Nicholas Roerich

Tutta la vita
  1. 1899

    Meets Elena Shaposhnikova

    At Prince Putyatin's estate Roerich meets Elena Ivanovna Shaposhnikova, his future wife, a faithful companion and source of inspiration.

  2. 28 October 1901

    Marries Elena Shaposhnikova

    Roerich and Elena Ivanovna are married in the church of the Imperial Academy of Arts; they will go through life hand in hand, complementing each other creatively and spiritually.

  3. 1903–1904

    A “journey through antiquity”: over forty towns

    With his wife Roerich visits more than forty towns with ancient monuments to study the roots of Russian culture. The result is about 90 architectural studies, a collection of photographs of old Russia and articles in which he is among the first to raise the question of the great artistic value of early Russian icon painting and architecture.

  4. 1904

    Talashkino, Maria Tenisheva's estate

    After touring the towns along the Volga and visiting Mozhaisk and the Savvino-Storozhevsky Monastery, Roerich ends his trip at Talashkino near Smolensk, the estate of Maria Tenisheva. Together with Malyutin, Vrubel, Benois, Korovin and Repin he puts into practice projects to revive ancient Russian traditions and folk crafts; his collaboration with Tenisheva will last until 1917 and their friendship until her death.

  5. 1906

    Exhibitions abroad and the Salon d'Automne

    From 1906 Roerich regularly takes part in exhibitions abroad: Paris, Venice, Berlin, Rome, Brussels, Vienna and London get to know his work, and his paintings are bought by the Luxembourg Museum, the National Museum in Rome, the Louvre and other museums. In 1907 he is elected a member of the Société du Salon d'Automne in France.

  6. 1906

    Director of the Society's Drawing School

    On taking up his post as director of the Drawing School, Roerich enlarges its premises, opens new classes and workshops — for icon painting, ceramics, chasing and weaving — restores the rights of the teaching council and founds a Museum of Russian Art at the school; he hopes to reorganise it as a Free People's Academy.

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