ART WIKI
Woman Lost in Thought, Eugene Speicher, 1920s
Eugene Speicher, ritrattoEugene SpeicherStati Uniti, 1883–1962

Woman Lost in Thought

1920s · Drawing

Si può vedere?

Non esposta al momento

Dove si trova «Woman Lost in Thought» oggi? Collezione: National Gallery of Art, Washington. Non esposta al momento. Verificato 29 settembre 2026.

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
Ultimo cambio di stato
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

Numero di inventario
2015.19.353

Che cosa raffigura

Seated figures

In catalogo

Disegni e acquerelliGrafiteModernismoXX secoloAmerican

Fonti

Altre opere di Eugene Speicher

Tutte le opere
Woman Leaning on a Table, Eugene Speicher, 1931

Woman Leaning on a Table

1931 · Non esposta · National Gallery of Art

Red Moore, Eugene Speicher, c. 1933

Red Moore

c. 1933 · Non esposta · National Gallery of Art

Landscape, Eugene Speicher, 19th-20th century

Landscape

19th-20th century · Non esposta · Harvard Art Museums

Study of John Hommel, Eugene Speicher, 19th-20th century

Study of John Hommel

19th-20th century · Non esposta · Harvard Art Museums

Head of a Girl, Eugene Speicher, 19th-20th century

Head of a Girl

19th-20th century · Non esposta · Harvard Art Museums

Nude Woman, Eugene Speicher, c. 1900–1943

Nude Woman

c. 1900–1943 · Non esposta · Cleveland Museum of Art

Nude, Eugene Speicher, 1921

Nude

1921 · Non esposta · Whitney Museum of American Art

Bending Figure, Eugene Speicher, 1921

Bending Figure

1921 · Non esposta · Whitney Museum of American Art

Anche in sala: National Gallery of Art

Pagina del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Sullo stesso tema · Seated figures

Tutte le opere sul tema
George Moore in the Artist's Garden, Edouard Manet, c. 1879

Édouard Manet

George Moore in the Artist's Garden, c. 1879

National Gallery of Art

My father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old.", Allen Ginsberg, 1976, printed later

Allen Ginsberg

My father Louis Ginsberg in his velvet Armchair, last year of his life 1976. See "Don't Grow Old.", 1976, printed later

Non esposta · National Gallery of Art

Untitled, Allen Ginsberg, 1964

Allen Ginsberg

Untitled, 1964

Non esposta · National Gallery of Art

Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", Allen Ginsberg, 1985

Allen Ginsberg

Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", 1985

Non esposta · National Gallery of Art

Shig Murao, up late night reading in his middle bedroom, he'd had a stroke just after mastering Shakuhachi flute, I stay in his Grant Street North Block apartment when visiting San Francisco, his front room looks down on noisy street & bars. He'd managed City Lights Bookstore, part owner, 1950s all thru the sixties, Allen Ginsberg, 1985

Allen Ginsberg

Shig Murao, up late night reading in his middle bedroom, he'd had a stroke just after mastering Shakuhachi flute, I stay in his Grant Street North Block apartment when visiting San Francisco, his front room looks down on noisy street & bars. He'd managed City Lights Bookstore, part owner, 1950s all thru the sixties, 1985

Non esposta · National Gallery of Art

Robert Frank at his kitchen table, Bleeker Street house, casual visit, November 8, 1988, New York City., Allen Ginsberg, 1988, printed 1990

Allen Ginsberg

Robert Frank at his kitchen table, Bleeker Street house, casual visit, November 8, 1988, New York City., 1988, printed 1990

Non esposta · National Gallery of Art

Bill Reck in his coldwater flat Lower East Side circa 1953, one of eminent Subterraneans (Vide Frity Nichols); he entered J.K.'s Book of Dreams as Dick Beck. outside his window off Bowery and East 2'd Street, a cemetery, he wrote "Love is a lime green tree," last line of poem looking out, Allen Ginsberg, 1953, printed later

Allen Ginsberg

Bill Reck in his coldwater flat Lower East Side circa 1953, one of eminent Subterraneans (Vide Frity Nichols); he entered J.K.'s Book of Dreams as Dick Beck. outside his window off Bowery and East 2'd Street, a cemetery, he wrote "Love is a lime green tree," last line of poem looking out, 1953, printed later

Non esposta · National Gallery of Art

Self-Portrait on my seventieth birthday in Borsalino hat and black cashmere-silk scarf from Milan & Dublin Thornproof-tweed suit, Oleg Cassini tie from Goodwill shirt same source, kitchen window mid-day, I stayed home & worked on _Selected Poems 1947 – ’95_ proofs after returning from Walker Art Centre reading — Beat exhibition weekend. Monday, June 3, 1996, N.Y., Allen Ginsberg, 1996

Allen Ginsberg

Self-Portrait on my seventieth birthday in Borsalino hat and black cashmere-silk scarf from Milan & Dublin Thornproof-tweed suit, Oleg Cassini tie from Goodwill shirt same source, kitchen window mid-day, I stayed home & worked on _Selected Poems 1947 – ’95_ proofs after returning from Walker Art Centre reading — Beat exhibition weekend. Monday, June 3, 1996, N.Y., 1996

Non esposta · National Gallery of Art