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  1. Collezione/
  2. National Gallery of Art/
  3. William Cullen Bryant
William Cullen Bryant, Charles Loring Elliott, c. 1854

William Cullen Bryant

c. 1854 · Painting

Scheda

c. 1854
18121868
Numero di inventario
2015.19.120

Altre opere di Charles Loring Elliott

Tutte le opere

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo

Sullo stesso tema · Bust facing right

Tutte le opere sul tema
Charles Loring Elliott, ritrattoCharles Loring ElliottStati Uniti, 1812–1868

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
9 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

Bust facing rightBryant, William Cullen

In catalogo

DipintiOlioPittura americanaRealismoXIX secoloAmericanRealist

Fonti

  • National Gallery of Art
  • Immagine: National Gallery of Art — Museum open access
Thomas McKenney, Charles Loring Elliott, 1856

Thomas McKenney

1856 · National Portrait Gallery

Mrs. Sylvanus D. Lewis (Estelle Anna Blanche Robinson), Seth Wells Cheney, after Charles Loring Elliott, 1848-1856

Mrs. Sylvanus D. Lewis (Estelle Anna Blanche Robinson)

1848-1856 · Non esposta · National Gallery of Art

William Sidney Mount, Charles Loring Elliott, c. 1850

William Sidney Mount

c. 1850 · Non esposta · National Gallery of Art

Unfinished Portrait of Henry J. Brent, 1811-1850, Charles Loring Elliott, c. 1850

Unfinished Portrait of Henry J. Brent, 1811-1850

c. 1850 · Non esposta · Minneapolis Institute of Art

Captain Warren Delano, Charles Loring Elliott, c. 1852

Captain Warren Delano

c. 1852 · Non esposta · National Gallery of Art

Portrait of the Artist Asa W. Twitchell, Charles Loring Elliott, 1864

Portrait of the Artist Asa W. Twitchell

1864 · Non esposta · National Gallery of Art

Asher B. Durand, Frederick Halpin, after Charles Loring Elliott, 1865

Asher B. Durand

1865 · Non esposta · National Gallery of Art

Mr. William W. Corcoran, Goupil & Company, after Charles Loring Elliott, 1867-1877

Mr. William W. Corcoran

1867-1877 · Non esposta · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Self-Portrait of Rembrandt, Georg Friedrich Schmidt, after Rembrandt van Rijn, 1771

Rembrandt van Rijn

Self-Portrait of Rembrandt, 1771

Non esposta · National Gallery of Art

William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye, Allen Ginsberg, 1961, printed 1995

Allen Ginsberg

William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye, 1961, printed 1995

Non esposta · National Gallery of Art

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443, Pisanello, c. 1449

Pisanello

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443, c. 1449

Non esposta · National Gallery of Art

Portrait of a Man, Facing Right, Alex Katz, 1950s

Alex Katz

Portrait of a Man, Facing Right, 1950s

Non esposta · National Gallery of Art

Gian Galeazzo Maria Sforza, Duke of Milan, Workshop of Benedetto Briosco, early 1490s

anonymous

Gian Galeazzo Maria Sforza, Duke of Milan, early 1490s

Non esposta · National Gallery of Art

Bust of a Youth, Studio of Giovanni Bernardi

anonymous

Bust of a Youth

Non esposta · National Gallery of Art

Filippo Maria Visconti, Imitator of Benedetto Briosco, part before 1878, part 1930

anonymous

Filippo Maria Visconti, part before 1878, part 1930

Non esposta · National Gallery of Art

Joel Barlow, after Jean-Antoine Houdon, model 1803, cast by 1913

Jean-Antoine Houdon

Joel Barlow, model 1803, cast by 1913

Non esposta · National Gallery of Art