View of Lower Terrace, Hampstead, John Constable, ca. 1822
John Constable, ritrattoJohn ConstableRegno Unito, 1776–1837

View of Lower Terrace, Hampstead

ca. 1822 · Oil painting · 24.8 × 35.2 cm

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Dove si trova «View of Lower Terrace, Hampstead» oggi? Victoria and Albert Museum, Paintings, Room 88, The Edwin and Susan Davies Galleries, Londra. Sì, esposta ora. Verificato 25 settembre 2026.

Victoria and Albert Museum

Londra, Regno Unito

SalaPaintings, Room 88, The Edwin and Susan Davies Galleries

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Sul dipinto

Constable and his family frequently rented a house in Hampstead during the summer. In 1821 and 1822 they lodged at 2 Lower Terrace. Their daughter Isabel was born there. This view depicts the neighbouring houses, nos 4 and 3.

Victoria and Albert Museum

Scheda

Numero di inventario
584-1888

Che cosa raffigura

In catalogo

Fonti

Nella vita di John Constable

Tutta la vita
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1821

    Son born: Charles Golding Constable

  3. 1821

    “I should paint my own places best”

    In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.

  4. 1824

    The Paris Salon: a gold medal

    The Anglo-French dealer John Arrowsmith bought The Hay Wain and other works, and in 1824 they were shown at the Paris Salon, where they caused a sensation. The Hay Wain was awarded a gold medal by Charles X.

  5. 1824

    Delacroix repaints the background of “The Massacre at Chios”

    After seeing Constable’s pictures at Arrowsmith’s gallery, Delacroix repainted the background of his Massacre at Chios, saying the paintings had done him a great deal of good. In his journal he noted that Constable’s meadow greens are a combination of many different shades.

  6. 1824–1828

    The family in Brighton for Maria’s health

    When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

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Nella stessa sala · Paintings, Room 88, The Edwin and Susan Davies Galleries, Victoria and Albert Museum

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