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  3. Verschillende taferelen
Verschillende taferelen, Alexander Cranendoncq, c. 1822 - 1849

Verschillende taferelen

c. 1822 - 1849 · Print

Sull’opera

Con le parole del museo — in olandese

Blad met 12 voorstellingen van verschillende aard, waaronder verbeeldingen van de vier seizoenen en voorstellingen van een hobbelpaard en twee snoepende kinderen. Onder elke afbeelding een titel en een vierregelig vers.

Rijksmuseum

Scheda

c. 1822 - 1849
17991869
Numero di inventario
RP-P-1898-A-20049

Altre opere di Alexander Cranendoncq

Tutte le opere

Sotto lo stesso tetto: Rijksmuseum

Pagina del museo

Sullo stesso tema · Kitchen

Tutte le opere sul tema
AAlexander Cranendoncq1799–1869

Si può ammirare?

Non si sa

Rijksmuseum

Amsterdam, Paesi Bassi

Il proprietario è noto; non si sa se oggi sia esposta.

Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

KitchenBambinoBad BehaviourRocking-horseThe four seasons of the year ~ human activities

In catalogo

StampeNeoclassicismoRomanticismoXIX secolo

Fonti

  • Rijksmuseum
  • Immagine: Rijksmuseum — public domain
Deze rijden en rotsen om van te beven, / Zoo zagtjes maar voort, en maken geen leven, Alexander Cranendoncq, 1781 - 1828

Deze rijden en rotsen om van te beven, / Zoo zagtjes maar voort, en maken geen leven

1781 - 1828 · Rijksmuseum

Zie deez' soldaten hier marcheren, / Om zich dapper te verweren. / Indien napoleon tegen ons zich steld, / Onze kracht en moed hem nederveld, Alexander Cranendoncq, 1781 - 1828

Zie deez' soldaten hier marcheren, / Om zich dapper te verweren. / Indien napoleon tegen ons zich steld, / Onze kracht en moed hem nederveld

1781 - 1828 · Rijksmuseum

Zie kinderen een twaalftal nieuwe figuren, / het zijn alle rare kuren. / De eene die vegt, en de andere bijt, / Zoo raakt een ieder zijn geld al kwijt, Alexander Cranendoncq, 1781 - 1828

Zie kinderen een twaalftal nieuwe figuren, / het zijn alle rare kuren. / De eene die vegt, en de andere bijt, / Zoo raakt een ieder zijn geld al kwijt

1781 - 1828 · Rijksmuseum

Zhier ziet gij de toebereidsels van den strijd, Daar wij eens door zijn verblijd, Alexander Cranendoncq, 1781 - 1828

Zhier ziet gij de toebereidsels van den strijd, Daar wij eens door zijn verblijd

1781 - 1828 · Rijksmuseum

Ambachten en beroepen, Alexander Cranendoncq, 1787 - 1849

Ambachten en beroepen

1787 - 1849 · Rijksmuseum

Teekenaars, Graveurs en Drukkers, stellen hier in deze prent, / U een zestiental voor oogen, dat gy kind'ren allen kent. / geeft u dit tafreel genogen, vindt gy smaak in onze keus, / Dit zal onze yver wekken, u vermaak is onze leus, Alexander Cranendoncq, 1781 - 1828

Teekenaars, Graveurs en Drukkers, stellen hier in deze prent, / U een zestiental voor oogen, dat gy kind'ren allen kent. / geeft u dit tafreel genogen, vindt gy smaak in onze keus, / Dit zal onze yver wekken, u vermaak is onze leus

1781 - 1828 · Rijksmuseum

Verlustigt, Kind'ren! U een poosje, / Bij 't gene U hier de prentkunst biedt; / 't is Kloris' bruiloft met zijn Roosje, / Wie kent dit Neerlan is blijspel niet?, Alexander Cranendoncq, 1781 - 1828

Verlustigt, Kind'ren! U een poosje, / Bij 't gene U hier de prentkunst biedt; / 't is Kloris' bruiloft met zijn Roosje, / Wie kent dit Neerlan is blijspel niet?

1781 - 1828 · Rijksmuseum

Zie hier vier en twintig snaken, / Gansch verschillend in hun aard. / Kinderen! om u te vermaken; / Wordt door ons geen vlyt gespaard, Alexander Cranendoncq, 1781 - 1828

Zie hier vier en twintig snaken, / Gansch verschillend in hun aard. / Kinderen! om u te vermaken; / Wordt door ons geen vlyt gespaard

1781 - 1828 · Rijksmuseum

Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

Ronda di notte, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Ritratto di Maria Trip, 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Landscape with a Stone Bridge, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Peter Orlovsky in his mother's house, Allen Ginsberg, 1964, printed later

Allen Ginsberg

Peter Orlovsky in his mother's house, 1964, printed later

Non esposta · National Gallery of Art

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., Allen Ginsberg, 1984, printed 1994

Allen Ginsberg

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., 1984, printed 1994

Non esposta · National Gallery of Art

Father Pierre Riches at kitchen table December 4, 1992, Allen Ginsberg, 1992

Allen Ginsberg

Father Pierre Riches at kitchen table December 4, 1992, 1992

Non esposta · National Gallery of Art

Herbert E. Huncke age 69 retired from the street on methadone program, head tilted wise-eyed for wry conversation, about to say something charming, flattering or honest at the kitchen table New York March 1984., Allen Ginsberg, 1984

Allen Ginsberg

Herbert E. Huncke age 69 retired from the street on methadone program, head tilted wise-eyed for wry conversation, about to say something charming, flattering or honest at the kitchen table New York March 1984., 1984

Non esposta · National Gallery of Art

Jello Biafra (nee Eric Boucher) head of _Dead Kennedys_ rock band, visiting New York after obscenity trial (won by hung jury) over art illustrations to his "Frankenchrist" album. "Nazi Punks Fuck Off," "Too Drunk to Fuck," and "White Punks on Dope" were early underground hits late 1970's. He was on tour, lecturing on Reagan-era censorship moves, here "rebounding from the want-ads, surprised scrutinized by Candid surveillance camera," his briefcase open in small bedroom, pens clipped to strap, old backstage tour passes posted inside. Recovering from flu, late night tea, October 6, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Jello Biafra (nee Eric Boucher) head of _Dead Kennedys_ rock band, visiting New York after obscenity trial (won by hung jury) over art illustrations to his "Frankenchrist" album. "Nazi Punks Fuck Off," "Too Drunk to Fuck," and "White Punks on Dope" were early underground hits late 1970's. He was on tour, lecturing on Reagan-era censorship moves, here "rebounding from the want-ads, surprised scrutinized by Candid surveillance camera," his briefcase open in small bedroom, pens clipped to strap, old backstage tour passes posted inside. Recovering from flu, late night tea, October 6, 1987., 1987

Non esposta · National Gallery of Art

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., Allen Ginsberg, 1986, printed 1991

Allen Ginsberg

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., 1986, printed 1991

Non esposta · National Gallery of Art

Ray Bremser, Jazz-bar sound-poetry genius, syncopating wow-sound word- / walloper, original N.Y. late-1950's Coffeshop bard with Kerouac & LeRoi Jones, his long-ago jail songs were noted by Bob Dylan in _The Times They are a Changin'_;  at kitchen table March 15, 1987, he stayed over to read Poetry and teach my "Literary History of Beat Generation" Class Brooklyn College, come down from A.A. halfway house in Utica N.Y., rare trip to the Apple for survivor w/ big fine beard., Allen Ginsberg, 1987

Allen Ginsberg

Ray Bremser, Jazz-bar sound-poetry genius, syncopating wow-sound word- / walloper, original N.Y. late-1950's Coffeshop bard with Kerouac & LeRoi Jones, his long-ago jail songs were noted by Bob Dylan in _The Times They are a Changin'_; at kitchen table March 15, 1987, he stayed over to read Poetry and teach my "Literary History of Beat Generation" Class Brooklyn College, come down from A.A. halfway house in Utica N.Y., rare trip to the Apple for survivor w/ big fine beard., 1987

Non esposta · National Gallery of Art

Kitchen window later afternoon January 23, 1987, snow melted on the sill, I never met Bill Rizzo., Allen Ginsberg, 1987

Allen Ginsberg

Kitchen window later afternoon January 23, 1987, snow melted on the sill, I never met Bill Rizzo., 1987

Non esposta · National Gallery of Art