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Venice: the Ducal Palace, Edward Pritchett, ca. 1824-1864
Edward Pritchett

Venice: the Ducal Palace

ca. 1824-1864 · Oil painting · 25.6 × 35.5 cm

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Dove si trova «Venice: the Ducal Palace» oggi? Collezione: Victoria and Albert Museum, Londra. Non esposta al momento. Verificato 25 settembre 2026.

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

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Il museo
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Scheda

Numero di inventario
587-1908

Che cosa raffigura

Venice

In catalogo

DipintiOlioNeoclassicismoRomanticismoXIX secoloBritish School

Fonti

Altre opere di Edward Pritchett

Tutte le opere
Venice, the Piazzetta, Edward Pritchett, mid 19th century

Venice, the Piazzetta

mid 19th century · Non esposta · Victoria and Albert Museum

Coast scene, Isle of Wight, Edward Pritchett, 1850

Coast scene, Isle of Wight

1850 · Non esposta · Victoria and Albert Museum

Anche in sala: Victoria and Albert Museum

Pagina del museo
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Fu, 2025

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Summer, 2024

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Red Flow, Ishizuka Genta, 2024

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Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

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Sullo stesso tema · Venice

Tutte le opere sul tema
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Piazza San Marco, Canaletto, late 1720s

Canaletto

Piazza San Marco, late 1720s

Metropolitan Museum of Art

Venetiaanse pantoffelparade, Giovanni Battista Tiepolo, 1740 - 1760

Giovanni Battista Tiepolo

Venetiaanse pantoffelparade, 1740 - 1760

Rijksmuseum

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Non esposta · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Non esposta · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

Venice, from the Porch of Madonna della Salute, Joseph Mallord William Turner, ca. 1835

Joseph Mallord William Turner

Venice, from the Porch of Madonna della Salute, ca. 1835

Metropolitan Museum of Art