Ferdinand BolPaesi Bassi, 1616–1680Uur van de Dood
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Rijksmuseum
Amsterdam, Paesi Bassi
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- Fonte
- I dati di collezione del museo stesso
Sull’opera
In the museum's own words — the original
Hoveling trekt zich terug voor bezinning in de tuin van het paleis. Het skelet van de Dood zit naast hem. Een courtisane probeert hem te verleiden maar hij geeft niet toe aan aardse lusten. Hij bekeert haar tot een kuise levenswijze.
Rijksmuseum
Scheda
- Numero di inventario
- RP-P-OB-190
What it shows
In catalogo
Fonti
- Rijksmuseum: the museum's own open data · acquisita 7 giorni fa
- Immagine: Rijksmuseum — public domain
Nel frattempo, nella vita di Ferdinand Bol
Tutta la vitaafter 1635
Apprenticed in Rembrandt's workshop
After December 1635, when Bol is still recorded in Dordrecht as a painter, he works as an apprentice in Rembrandt's Amsterdam workshop (other accounts say already after 1630) and lives in his house. He followed his master so closely that many of his paintings were long attributed to Rembrandt himself, and Rembrandt even sold his pupil's work.
1636–1641
Teacher: Rembrandt
1636–1680 · Luogo di lavoro
Amsterdam
1641
Opens his own studio
After his father's death, Bol opens his own studio and establishes himself as an independent artist.
1641
Pupil: Cornelis Bisschop
1641
Death of his father, Balthasar Bol
Balthasar Bol, chief surgeon of Dordrecht, dies; Rembrandt had painted his portrait when he came to Amsterdam to visit his son.
