Untitled (Drawing for Inversion)

2007 · Drawing

Si può ammirare?

Al momento non riceve

Museum of Modern Art

New York, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato: 12 giorni fa
Fonte: I dati di collezione del museo stesso

Sulla mappa Pagina del museo

Scheda

Numero di inventario: 1875.2008

Fonti

Museum of Modern Art: the museum's own open data · acquisita 12 giorni fa
Immagine: Museum of Modern Art — © the artist or rights holder

Tutte le opere

Graft

2008-2009 · National Gallery of Art

Pigeon Holes

1997 · Non esposta · National Gallery of Art

Untitled (Study for Graft)

2008 · Non esposta · National Gallery of Art

Untitled

1995 · Non esposta · Whitney Museum of American Art

Competing Crusts

1999 · Non esposta · Whitney Museum of American Art

Damn A

2002 · Non esposta · Art Institute of Chicago

Study No. 1 for “New Amalgam”

2016 · Non esposta · Minneapolis Institute of Art

Sotto lo stesso tetto: Museum of Modern Art

Pagina del museo

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

Notte stellata, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

Untitled (Drawing for Inversion)

Al momento non riceve

Scheda

Fonti

Graft

Pigeon Holes

Untitled (Study for Graft)

Untitled

Competing Crusts

Damn A

Study No. 1 for “New Amalgam”

Sotto lo stesso tetto: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Untitled (Drawing for Inversion)

Al momento non riceve

Scheda

Fonti

Graft

Pigeon Holes

Untitled (Study for Graft)

Untitled

Competing Crusts

Damn A

Study No. 1 for “New Amalgam”

Sotto lo stesso tetto: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Untitled (Drawing for Inversion)

Al momento non riceve

Scheda

Fonti

Altre opere di Roxy Paine

Graft

Pigeon Holes

Untitled (Study for Graft)

Untitled

Competing Crusts

Damn A

Study No. 1 for “New Amalgam”

Sotto lo stesso tetto: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Untitled (Drawing for Inversion)

Al momento non riceve

Scheda

Fonti

Altre opere di Roxy Paine

Graft

Pigeon Holes

Untitled (Study for Graft)

Untitled

Competing Crusts

Damn A

Study No. 1 for “New Amalgam”

Sotto lo stesso tetto: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950