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Untitled, Alfred Stieglitz, 1930

Untitled

1930 · Photograph

Scheda

1930 · a 66 anni
18641946
Numero di inventario
2018.183.2

Nel frattempo, nella vita di Alfred Stieglitz

Tutta la vita
  1. 1929

    O'Keeffe leaves for New Mexico

    In 1929 O'Keeffe moved to New Mexico, where she created her famous series of desert landscapes and gained recognition and financial security. When she returned to New York, Stieglitz's affair with his pupil Dorothy Norman was over, but they could not restore their former relationship.

  2. May 1929

    His gallery to be demolished: depression at Lake George

    In early 1929 Stieglitz was told that the building housing his gallery would be torn down. After a final show of Demuth's work in May he retreated to Lake George exhausted and depressed, and when the Strands raised nearly sixteen thousand dollars for a new gallery he reacted harshly, saying it was time for the “young ones” to do some of the work.

  3. 15 December 1929

    Opens An American Place

    On December 15, 1929, Stieglitz opened An American Place, the largest gallery he had ever managed, with the first darkroom of his own in the city. For sixteen years he showed his friends Marin, Demuth, Hartley, Dove and Strand there, and O'Keeffe received at least one major exhibition each year.

  4. 1932

    A forty-year retrospective of 127 works

    In 1932 Stieglitz mounted a forty-year retrospective of 127 of his works at An American Place. Next to his portraits of his young lover Dorothy Norman he deliberately hung recent photographs of O'Keeffe, who looked older than her forty-five years, one of the few times he acted spitefully towards her in public, perhaps a result of their arguments about his control over her art.

Altre opere di Alfred Stieglitz

Tutte le opere

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo

Sullo stesso tema · Construction

Tutte le opere sul tema

1932

Break with Paul Strand

Later in 1932 Stieglitz showed O'Keeffe's works next to amateurish paintings on glass by Rebecca Salsbury and published no catalogue, which the Strands took as an insult. Paul Strand never forgave him: the day he walked out of An American Place in 1932, he said, was no less good than the day he walked into 291 in 1907.

Alfred Stieglitz, ritrattoAlfred StieglitzStati Uniti, 1864–1946

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

ConstructionNew York CityArchitetturaBuildingsCityscape

In catalogo

FotografieStampa ai sali d’argentoModernismoXX secoloAmerican

Fonti

  • National Gallery of Art
  • Immagine: National Gallery of Art — © the artist or rights holder
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · Museum of Modern Art

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · Museum of Modern Art

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · Museum of Modern Art

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Art Institute of Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · Non esposta · National Gallery of Art

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · Non esposta · National Gallery of Art

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · Non esposta · National Gallery of Art

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · Non esposta · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Old and New New York, Alfred Stieglitz, 1910, printed 1929/1934

Alfred Stieglitz

Old and New New York, 1910, printed 1929/1934

Non esposta · National Gallery of Art

From My Window at the Shelton, North, Alfred Stieglitz, 1930

Alfred Stieglitz

From My Window at the Shelton, North, 1930

Non esposta · National Gallery of Art

From My Window at An American Place, North, Alfred Stieglitz, 1931

Alfred Stieglitz

From My Window at An American Place, North, 1931

Non esposta · National Gallery of Art

From My Window at the Shelton, North, Alfred Stieglitz, 1930

Alfred Stieglitz

From My Window at the Shelton, North, 1930

Non esposta · National Gallery of Art

From My Window at the Shelton, North, Alfred Stieglitz, 1930

Alfred Stieglitz

From My Window at the Shelton, North, 1930

Non esposta · National Gallery of Art

Looking North from Room 3003—Shelton Hotel, New York, Alfred Stieglitz, 1927

Alfred Stieglitz

Looking North from Room 3003—Shelton Hotel, New York, 1927

Non esposta · National Gallery of Art

From My Window at the Shelton, North, Alfred Stieglitz, 1931

Alfred Stieglitz

From My Window at the Shelton, North, 1931

Non esposta · National Gallery of Art

From My Window at An American Place, North, Alfred Stieglitz, 1931

Alfred Stieglitz

From My Window at An American Place, North, 1931

Non esposta · National Gallery of Art