Twee vrouwen drogen zich af

c. 1895 · Print

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Rijksmuseum

Amsterdam, Paesi Bassi

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Fonte: Il museo

Sulla mappa Pagina del museo

Scheda

Numero di inventario: RP-P-2004-798

Che cosa raffigura

Nudo artistico Allegory of the human body (Ripa)Après le bain

In catalogo

Stampe Impressionismo XIX secolo

Fonti

Rijksmuseum
Immagine: Rijksmuseum — public domain

Nella vita di Suzanne Valadon

Tutta la vita

early 1890s
Friendship with Edgar Degas
In the early 1890s Valadon befriended Edgar Degas, who found her drawings bold and her paintings fine: he bought her work and encouraged her, and remained one of her closest friends until his death in 1917.
1890s
Degas: her first buyer, collectors and etching
Degas was the first person to buy drawings from her, introduced her to other collectors, including Paul Durand-Ruel and Ambroise Vollard, and taught her the skill of soft-ground etching.
1893
The affair with Erik Satie
In 1893 Valadon had a short-lived affair with the composer Erik Satie: she moved into a room next to his on the Rue Cortot, and Satie, obsessed with her, called her his “Biqui” and wrote impassioned notes admiring her eyes, hands and tiny feet. After six months she left him devastated.
1895
Durand-Ruel shows twelve of her etchings
In 1895 the art dealer Paul Durand-Ruel exhibited a group of twelve etchings by Valadon showing women at various stages of their toilettes. Later her work was regularly shown at the Galerie Bernheim-Jeune in Paris.
1895
Marriage to Paul Mousis
In 1895 she married the well-to-do stockbroker Paul Mousis and lived with him for 13 years in an apartment in Paris and in a house on the outskirts; the following year she became a full-time painter.
1896
A full-time painter from 1896
Valadon began painting full-time: her still lifes, portraits, flowers and landscapes are noted for their strong composition and vibrant colours, but she was best known for her candid female nudes, which, by not idealising the body, upset the social norms of the time.