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  1. Collezione/
  2. Victoria and Albert Museum/
  3. Thomas Best (1753-1815)
Thomas Best (1753-1815), Samuel Percy, early 19th century
SSamuel Percy1750–1820

Thomas Best (1753-1815)

early 19th century · Relief

Si può ammirare?

Al momento non riceve

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

Verificato
13 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Sulla scultura

During the eighteenth and nineteenth centuries, low relief portraits in wax became popular in Britain and they were often exhibited at the Royal Academy, the Society of Artists and elsewhere. Waxes were used in a similar way to prints and medals, in order to disseminate the image of the sitter, or, like miniature paintings or silhouettes as portable mementoes. The waxes were small and portable, and the nature of the material meant that they were extremely naturalistic. Sometimes they were coloured, and extra items added, such as textiles, seed pearls or coloured glass, to increase the life-like appearance of the portrayal.

Thomas Best lived at Park House in Boxley in Kent.

Victoria and Albert Museum

Scheda

Numero di inventario
A.88-1965

Che cosa raffigura

Best, Thomas

In catalogo

SculturaNeoclassicismoRomanticismoXIX secoloInghilterra

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London

Altre opere di Samuel Percy

Tutte le opere
Mr Justice Littleton (?), Samuel Percy, late 18th century or early 19th century

Mr Justice Littleton (?)

late 18th century or early 19th century · Non esposta · Victoria and Albert Museum

The Duke of Cumberland (1771-1851), Samuel Percy, ca. 1770-1820

The Duke of Cumberland (1771-1851)

ca. 1770-1820 · Non esposta · Victoria and Albert Museum

A Struggle between a Sweep and a Miller Interrupted by a Schoolmaster, Samuel Percy, late 18th century or early 19th century

A Struggle between a Sweep and a Miller Interrupted by a Schoolmaster

late 18th century or early 19th century · Non esposta · Victoria and Albert Museum

Three Musicians, Samuel Percy, late 18th century or early 19th century

Three Musicians

late 18th century or early 19th century · Non esposta · Victoria and Albert Museum

Sir William Blackstone (1723-1780), Samuel Percy, late 18th century or early 19th century

Sir William Blackstone (1723-1780)

late 18th century or early 19th century · Non esposta · Victoria and Albert Museum

Sir Cloudesley Shovell (1650-1707), Samuel Percy, late 18th century

Sir Cloudesley Shovell (1650-1707)

late 18th century · Non esposta · Victoria and Albert Museum

William Pitt, First Earl of Chatham (1708-1778), Samuel Percy, late 18th century

William Pitt, First Earl of Chatham (1708-1778)

late 18th century · Non esposta · Victoria and Albert Museum

The Dead Christ, Samuel Percy, late 18th century

The Dead Christ

late 18th century · Non esposta · Victoria and Albert Museum

Sotto lo stesso tetto: Victoria and Albert Museum

Pagina del museo
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024