The Wedding Procession, Antoine Watteau, c. 1712
Jean-Antoine Watteau, ritrattoJean-Antoine WatteauFrancia, 1684–1721

The Wedding Procession

c. 1712 · Drawing

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National Gallery of Art

Washington, Stati Uniti

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2000.8.1

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Nel frattempo, nella vita di Jean-Antoine Watteau

Tutta la vita
  1. c. 1709 – 1710

    The dealer Sirois buys the camp pictures

    “The Departing Regiment” goes for a modest 60 livres to a man named Sirois, the father-in-law of Gersaint, and the money lets Watteau return to the home of his childhood. In Valenciennes he paints a number of small camp pictures; Sirois buys one of them, a camp-fire scene, again — this time for 200 livres.

  2. c. 1710

    Friendship with Antoine de La Roque

    In Valenciennes Watteau meets Antoine de La Roque, an officer in the king's mounted gendarmerie who is recovering from a serious wound. A man of letters and later for many years the editor of the Mercure de France, he becomes one of the painter's close friends.

  3. c. 1710

    The sculptor Pater entrusts his son to Watteau

    In Valenciennes Watteau meets the local sculptor Antoine-Joseph Pater, then forty. To Pater the 25-year-old Watteau is already a Paris celebrity, and he asks him to take under his wing his fifteen-year-old son Jean-Baptiste, a beginning painter.

  4. c. 1710

    Back to Paris, to the dealer Sirois

    After less than a year in Valenciennes, Watteau returns to Paris with his pupil Jean-Baptiste Pater and accepts an invitation from Pierre Sirois, the buyer of his military pictures, to move in with him and work for him.

  5. 30 July 1712

    Admitted to the Academy as an associate

    Watteau seeks admission to the Royal Academy of Painting and Sculpture. According to Gersaint, the academician Charles de La Fosse, having seen his work, urges him to apply and helps to get him accepted among the Academy's associate members.

  6. 1714

    Moves into the banker Crozat's mansion

    Through Sirois, Watteau finds a patron in the very wealthy banker and collector Pierre Crozat and, at his invitation, moves into Crozat's newly built Paris mansion. There he gains access to the celebrated collection and eagerly copies drawings by the great masters; next door lives the academician Charles de La Fosse, with whom he is on good terms.

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