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  1. Collezione/
  2. National Gallery of Art/
  3. The Weavers' March
The Weavers' March, Käthe Kollwitz, 1897

The Weavers' March

1897 · Print

Scheda

1897 · a 30 anni
18671945
Numero di inventario
1991.211.2

Nel frattempo, nella vita di Käthe Kollwitz

Tutta la vita
  1. 1892–1896

    Hauptmann’s “The Weavers” inspires a new cycle

    Between the births of her sons Hans and Peter she saw Gerhart Hauptmann’s play The Weavers, about the failed revolt of the Silesian weavers in Langenbielau in 1844. It inspired her to drop a series of etchings she had planned to illustrate Émile Zola’s Germinal and to produce a cycle on the weavers instead.

  2. 1896

    Birth of her son Peter

    In 1896 her younger son, Peter, was born; he was killed at the front in 1914.

  3. 6 febbraio 1896

    Son born: Peter Kollwitz

  4. 1898

    “The Weavers” at the Great Berlin Art Exhibition

    In 1898 the cycle was shown publicly at the Great Berlin Art Exhibition and was widely acclaimed.

  5. 1898

    The Kaiser refuses a gold medal to a woman

    Adolph Menzel nominated her work for the gold medal of the 1898 Great Berlin Art Exhibition, but Kaiser Wilhelm II withheld his approval, saying that a medal for a woman would be going too far and that orders and medals belonged on the breasts of worthy men.

  6. 1898–1903

    Teaches at the Women’s Art School

    From 1898 to 1903 she taught at the Women’s Art School in Berlin.

Altre opere di Käthe Kollwitz

Tutte le opere

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo

Sullo stesso tema · Social criticism

Tutte le opere sul tema
Käthe Kollwitz, ritrattoKäthe KollwitzGermania, 1867–1945

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

Social criticismSocial

In catalogo

StampeAcquaforteImpressionismoXIX secoloGerman

Fonti

  • National Gallery of Art
  • Immagine: National Gallery of Art — © the artist or rights holder
Weberzug (Ein Weberaufstand, Blatt 4), Käthe Kollwitz

Weberzug (Ein Weberaufstand, Blatt 4)

Albertina

Tod (Ein Weberaufstand; Blatt 2), Käthe Kollwitz

Tod (Ein Weberaufstand; Blatt 2)

Albertina

Not (Ein Weberaufstand; Blatt 1), Käthe Kollwitz

Not (Ein Weberaufstand; Blatt 1)

Albertina

Beim Arzt (Drei Flugblätter gegen den Wucher, Blatt 3), Käthe Kollwitz

Beim Arzt (Drei Flugblätter gegen den Wucher, Blatt 3)

Albertina

Beratung (Ein Weberaufstand; Blatt 3), Käthe Kollwitz

Beratung (Ein Weberaufstand; Blatt 3)

Albertina

Die Carmagnole, Käthe Kollwitz

Die Carmagnole

Albertina

Zertretene, Käthe Kollwitz

Zertretene

Kupferstich-Kabinett

Selbstbildnis und Studie zu einer Szene aus Germinal, Käthe Kollwitz

Selbstbildnis und Studie zu einer Szene aus Germinal

Kupferstich-Kabinett

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

No Hay Quien Los Socorra (Nobody Can Help Them), Francisco Goya, 1810/1820, printed later

Francisco de Goya

No Hay Quien Los Socorra (Nobody Can Help Them), 1810/1820, printed later

Non esposta · National Gallery of Art

Subir y bajar (To Rise and To Fall), Francisco Goya, 1799

Francisco de Goya

Subir y bajar (To Rise and To Fall), 1799

Non esposta · National Gallery of Art

Buen Viage (Bon Voyage), Francisco Goya, 1799

Francisco de Goya

Buen Viage (Bon Voyage), 1799

Non esposta · National Gallery of Art

Estan Calientes (They Are Hot), Francisco Goya, 1799

Francisco de Goya

Estan Calientes (They Are Hot), 1799

Non esposta · National Gallery of Art

No hay quien nos desate? (Can't Anyone Untie Us?), Francisco Goya, 1799

Francisco de Goya

No hay quien nos desate? (Can't Anyone Untie Us?), 1799

Non esposta · National Gallery of Art

Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux), Francisco Goya, 1824/1827

Francisco de Goya

Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux), 1824/1827

Non esposta · National Gallery of Art

Polichinelle, Edouard Manet, 1874

Édouard Manet

Polichinelle, 1874

Non esposta · National Gallery of Art

The Balloon, Edouard Manet, 1862

Édouard Manet

The Balloon, 1862

Non esposta · National Gallery of Art