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The Virgin and Child in a Gothic architectural setting, ca. 1500

The Virgin and Child in a Gothic architectural setting

ca. 1500 · Oil painting · 96.5 × 41.8 cm

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Victoria and Albert Museum

Londra, Regno Unito

SalaArchitecture, Room 128

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This painting is a good example of the Hispano-Flemish style of the late 15th century in Spain. Probably executed in Seville, this work shows the Virgin and Child set in an architectural frame which derives from the decoration of the doors of the Cathedral of Seville. The dominant feature of this frame is the acanthus leaves which runs all along the different sections while the Madonna, with a round face and long curly hair, and the Child are reminiscent of Flemish prototypes. The importance of the architectural frame compared with the Madonna and Child suggest this piece was part of large ensemble.

Victoria and Albert Museum

Scheda

Numero di inventario
335-1866

Che cosa raffigura

Gothic archAcanthusGrapesPinnaclesButtressQuatrefoilsThe Virgin MaryThe Christ Child

In catalogo

DipintiOlioRinascimentoXVI secoloSpanish School, SevilleSeville

Fonti

Nella stessa sala · Architecture, Room 128, Victoria and Albert Museum

Pagina del museo
The Wall, Nigel Coates, 1988

Nigel Coates

The Wall, 1988

The Five Orders of Architecture, Robert Arnould Drais, ca. 1780

Robert Arnould Drais

The Five Orders of Architecture, ca. 1780

Seven historical Buddhas and Maitreya, 4th century

Seven historical Buddhas and Maitreya, 4th century

Sullo stesso tema · Gothic arch

Tutte le opere sul tema
Watercolour, Beatrix Potter, ca.1904

Beatrix Potter

Watercolour, ca.1904

Non esposta · Victoria and Albert Museum

Design for an overmantel in two parts, Thomas Chippendale Senior, mid-18th century

Thomas Chippendale

Design for an overmantel in two parts, mid-18th century

Non esposta · Victoria and Albert Museum

Design for a pier-glass in the gothic style from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolios at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, ca.1755-1760

John Linnell

Design for a pier-glass in the gothic style from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolios at his Decease, by C. H. Tatham Architect. AD 1800., ca.1755-1760

Non esposta · Victoria and Albert Museum