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  1. Collezione/
  2. Smithsonian American Art Museum/
  3. The Somnambula
The Somnambula, Randolph Rogers, modeled 1863-1864

The Somnambula

modeled 1863-1864 · Sculpture · 119.8 × 40.2 cm

Sulla scultura

In 1855-56, Randolph Rogers first conceived of The Somnambula as a partner piece to his popular statue Nydia. The Somnambula, or "the sleepwalker," relates to Somnus, the Roman god of sleep, but Rogers probably based this figure on Vincenzo Bellini's popular nineteenth-century opera La Sonnambula. The heroine of the opera, Amina, sleepwalks into the room of another man, whom she mistakes for her fiancé Elvino. In a jealous rage, Elvino accuses her of having a lover, who, to no avail, pleads with him that they are not in love, but that she is a "sleepwalker." Elvino realizes his mistake when Amina, lamp in her hand, sleepwalks across a bridge and almost falls, but is awakened and rescued.

Smithsonian American Art Museum

Scheda

modeled 1863-1864
18251892
Numero di inventario
1962.11.2

Altre opere di Randolph Rogers

Tutte le opere

Nella stessa sala · Luce Foundation Center, 3rd Floor, 20A, Smithsonian American Art Museum

Pagina del museo

Sullo stesso tema · Sleep

Tutte le opere sul tema
Randolph Rogers, ritrattoRandolph RogersStati Uniti, 1825–1892

Si può ammirare?

Sì, riceve visite

Smithsonian American Art Museum

Washington, Stati Uniti

SalaLuce Foundation Center, 3rd Floor, 20A

Esposta al pubblico. Chi lo garantisce è indicato qui sotto.

Verificato
12 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

SleepLiteratureFigure femaleNudityState of beingSomnambula

In catalogo

SculturaMarmoRealismoImpressionismoXIX secolo

Fonti

  • Smithsonian American Art Museum
  • Immagine: Smithsonian American Art Museum — CC0
Ruth Gleaning, Randolph Rogers, 1850; carved 1855 or 1856

Ruth Gleaning

1850; carved 1855 or 1856 · Metropolitan Museum of Art

Nydia, the Blind Flower Girl of Pompeii, Randolph Rogers, 1853–54; carved 1859

Nydia, the Blind Flower Girl of Pompeii

1853–54; carved 1859 · Metropolitan Museum of Art

Nydia, the Blind Girl of Pompeii, Randolph Rogers, model 1855, carved 1860

Nydia, the Blind Girl of Pompeii

model 1855, carved 1860 · National Gallery of Art

Nydia, the Blind Flower Girl of Pompeii, Randolph Rogers, modeled 1853-1854

Nydia, the Blind Flower Girl of Pompeii

modeled 1853-1854 · Smithsonian American Art Museum

The Truant, Randolph Rogers, 1853

The Truant

1853 · Smithsonian American Art Museum

Nydia, the Blind Flower Girl of Pompeii, Randolph Rogers, modeled 1853-1854; carved 1859

Nydia, the Blind Flower Girl of Pompeii

modeled 1853-1854; carved 1859 · Non esposta · Harvard Art Museums

Nydia, The Blind Flower Girl of Pompeii, Randolph Rogers, modeled 1855–56, carved 1858

Nydia, The Blind Flower Girl of Pompeii

modeled 1855–56, carved 1858 · Non esposta · Art Institute of Chicago

John Adams (1735-1826), Randolph Rogers, 1858-1859

John Adams (1735-1826)

1858-1859 · Non esposta · Harvard Art Museums

Poetry (bust of figure on front facade of New York Public Library, Paul Wayland Bartlett, ca. 1915

Paul Wayland Bartlett

Poetry (bust of figure on front facade of New York Public Library, ca. 1915

Philosophy (bust of figure on front facade of New York Public Library), Paul Wayland Bartlett, modeled ca. 1915

Paul Wayland Bartlett

Philosophy (bust of figure on front facade of New York Public Library), modeled ca. 1915

Bust of Percy Bysshe Shelly, William Ordway Partridge, copyrighted 1899

William Ordway Partridge

Bust of Percy Bysshe Shelly, copyrighted 1899

Tennyson's Princess, William Couper, 1882

William Couper

Tennyson's Princess, 1882

Rip Van Winkle, Frederick MacMonnies, 1876-1880

Frederick MacMonnies

Rip Van Winkle, 1876-1880

Springtime, Jean Baptiste Carpeaux, 1871

Jean-Baptiste Carpeaux

Springtime, 1871

Esmeralda, attributed to Raffaelo Romanelli, ca. 1870-1900

attributed to Raffaelo Romanelli

Esmeralda, ca. 1870-1900

Hiram Powers, Charles Francis Fuller, modeled ca. 1870

Charles Francis Fuller

Hiram Powers, modeled ca. 1870

Te Po (The Long Night), Paul Gauguin, 1894/1895

Paul Gauguin

Te Po (The Long Night), 1894/1895

Non esposta · National Gallery of Art

Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961, Allen Ginsberg, 1961, printed later

Allen Ginsberg

Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961, 1961, printed later

Non esposta · National Gallery of Art

Plate Number 259. Lying on a couch and turning over on side, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 259. Lying on a couch and turning over on side, 1887

Non esposta · National Gallery of Art

Plate Number 263. Getting into bed, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 263. Getting into bed, 1887

Non esposta · National Gallery of Art

Sleeper in a Bar, Weegee, 1939

Weegee

Sleeper in a Bar, 1939

Non esposta · National Gallery of Art

Chicago, Lee Friedlander, 1974

Ernest J. Bellocq

Chicago, 1974

Non esposta · National Gallery of Art

New City, New York, Lee Friedlander, 1971

Ernest J. Bellocq

New City, New York, 1971

Non esposta · National Gallery of Art

Dormir (Sleep), Graciela Iturbide, c. 1970

Graciela Iturbide

Dormir (Sleep), c. 1970

Non esposta · National Gallery of Art