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  1. Collezione/
  2. Victoria and Albert Museum/
  3. The Sands at Ryde : Sunset
The Sands at Ryde : Sunset, Copley, ca. 1810-55
John Singleton Copley, ritrattoJohn Singleton CopleyStati Uniti, 1738–1815

The Sands at Ryde : Sunset

ca. 1810-55 · Watercolour

Si può ammirare?

Al momento non riceve

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

Verificato
12 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

ca. 1810-55
17381815
Numero di inventario
564-1882

Che cosa raffigura

RydeWight

In catalogo

Disegni e acquerelliAcquerelloNeoclassicismoRomanticismoXIX secoloRegno Unito

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London

Nel frattempo, nella vita di John Singleton Copley

Tutta la vita
  1. 1774–1815 · Luogo di lavoro

    London

  2. c. 1800 – 1815

    Last years: debts and disappointments

    The Napoleonic Wars bring hard times, the house on George Street is expensive to keep up, and a talented son’s education is costly. The equestrian portrait of the Prince Regent brings no return and other canvases that took years of labour go unsold; Copley dies heavily in debt.

  3. 1810

    A bad fall keeps him from painting for a month

    In 1810 Copley has a bad fall that keeps him from painting for a month; he incessantly bewails the loss of his Boston property. On 11 December his wife writes that every difficulty of living is increasing while the advantages of his profession are decreasing.

  4. October 1811

    Asks his son-in-law for a £600 loan

    In distress, Copley writes to Gardiner Greene asking for an additional loan of £600. On 4 March 1812 he adds that he is still pursuing his profession in the hope that a proper amount will be realized from his works, to himself or his family, but that for now all pursuits that are not among the essentials of life are at a stand.

Altre opere di John Singleton Copley

Tutte le opere
Daniel Crommelin Verplanck, John Singleton Copley, 1771

Daniel Crommelin Verplanck

1771 · Metropolitan Museum of Art

Jane Browne, John Singleton Copley, 1756

Jane Browne

1756 · National Gallery of Art

Epes Sargent, John Singleton Copley, c. 1760

Epes Sargent

c. 1760 · National Gallery of Art

Anne Fairchild Bowler (Mrs. Metcalf Bowler), John Singleton Copley, c. 1763

Anne Fairchild Bowler (Mrs. Metcalf Bowler)

c. 1763 · National Gallery of Art

Portrait of Sarah Allen, née Sargent, John Singleton Copley, c. 1763

Portrait of Sarah Allen, née Sargent

c. 1763 · Minneapolis Institute of Art

Mrs. Jerathmael Bowers, John Singleton Copley, ca. 1763

Mrs. Jerathmael Bowers

ca. 1763 · Metropolitan Museum of Art

Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), John Singleton Copley, c. 1764

Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis)

c. 1764 · National Gallery of Art

Mrs. Sylvanus Bourne, John Singleton Copley, 1766

Mrs. Sylvanus Bourne

1766 · Metropolitan Museum of Art

Sotto lo stesso tetto: Victoria and Albert Museum

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Bird of Paradise, 2026

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Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024