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  1. Collezione/
  2. Minneapolis Institute of Art/
  3. The Laughing Audience
The Laughing Audience, William Hogarth, 1733
William Hogarth, ritrattoWilliam HogarthInghilterra, 1697–1764

The Laughing Audience

1733 · Print · 18.89 × 17.3 cm

Si può ammirare?

Al momento non riceve

Minneapolis Institute of Art

Minneapolis, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1733 · a 36 anni
16971764
Numero di inventario
P.92.24.9

In catalogo

StampeAcquaforteRococòXVIII secoloInghilterra

Fonti

  • Minneapolis Institute of Art
  • Immagine: Minneapolis Institute of Art — public domain

Nel frattempo, nella vita di William Hogarth

Tutta la vita
  1. 1712–1764 · Luogo di lavoro

    London

  2. 1735

    Founds the St Martin’s Lane Academy

    In 1735 Hogarth founded the St Martin’s Lane Academy in London — in essence a drawing studio that grew out of a circle of painters, draughtsmen and engravers who met at Slaughter’s coffee house on St Martin’s Lane. It became a forerunner of the Royal Academy of Arts and spread new artistic ideas in England.

  3. 25 June 1735

    “Hogarth’s Act”: copyright for engravings

    When the success of the two series produced numerous pirated copies, Hogarth lobbied Parliament for a law protecting engravers: the Engravers’ Copyright Act, known as “Hogarth’s Act”, became law on 25 June 1735 — the first copyright law to cover visual works and to recognise the authorial rights of an individual artist.

Altre opere di William Hogarth

Tutte le opere
The Sleeping Congregation, William Hogarth, 1728

The Sleeping Congregation

1728 · Minneapolis Institute of Art

The Wedding of Stephen Beckingham and Mary Cox, William Hogarth, 1729

The Wedding of Stephen Beckingham and Mary Cox

1729 · Metropolitan Museum of Art

Before, William Hogarth, 1730–1731

Before

1730–1731 · Getty Museum

After, William Hogarth, 1730–1731

After

1730–1731 · Getty Museum

William Hogarth's Business Card, Samuel Ireland after William Hogarth

William Hogarth's Business Card

Non esposta · National Gallery of Art

Taste in high life, William Hogarth

Taste in high life

Albertina

Lavinia Fenton, Duchess of Bolton, William Hogarth, 18th century

Lavinia Fenton, Duchess of Bolton

18th century · National Gallery

Hogarth's Servants, William Hogarth, 1750s

Hogarth's Servants

1750s · National Gallery

Sotto lo stesso tetto: Minneapolis Institute of Art

Pagina del museo
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Goya curato dal dottor Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34