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  1. Collezione/
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  3. The Hands (Les Mains)
The Hands (Les Mains), Antoni Tàpies, 1969
Tapiés, Antoni, ritrattoTapiés, AntoniSpagna, 1923–2012

The Hands (Les Mains)

1969 · Print

Si può ammirare?

Al momento non riceve

Museum of Modern Art

New York, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
8 giorni fa
Fonte
I dati di collezione del museo stesso
Sulla mappaPagina del museo

Scheda

1969 · a 46 anni
19232012
Numero di inventario
440.1970

In catalogo

StampeAcquaforteArte del dopoguerraXX secolo

Fonti

  • Museum of Modern Art: i dati aperti del museo · acquisita 15 giorni fa
  • Immagine: Museum of Modern Art — © the artist or rights holder

Nel frattempo, nella vita di Tapiés, Antoni

Tutta la vita
  1. 1968

    Retrospective in Vienna

    A major retrospective exhibition of the artist is held in Vienna.

  2. 27 giugno 1968 – 6 ottobre 1968

    Exhibition: 4. documenta

  3. c. 1970

    Objects in the paintings: pieces of furniture

    Influenced by Pop Art, he begins incorporating more substantial objects into his paintings, such as parts of furniture.

  4. early 1970s

    Symbols of Catalan identity in his work

    His work of the early 1970s is marked by symbols of Catalan identity, which was anathema to Franco.

  5. 1970s–1980s

    Meditative emptiness and Eastern calligraphy

    The paintings Tàpies produced later, in the 1970s and 1980s, reveal an aesthetic of meditative emptiness: spray-painted canvases with linear elements suggestive of Oriental calligraphy and mixed-media paintings that extend the vocabulary of Art informel, with imagery appearing only as oblique allusions within a fundamentally abstract idiom.

  6. 1970–1999

    Essays on art, life and politics

    His essays are collected in a series of books: “La pràctica de l'art” (1970), “L'art contra l'estètica” (1974), “Memòria personal” (1978), “La realitat com a art” (1982), “Per un art modern i progressista” (1985), “Valor de l'art” (1993) and “L'art i els seus llocs” (1999). In them he reflects on art, life and politics, on the social role of art and of the artist, on the influences on his work, and sets out his artistic and political views.

Altre opere di Tapiés, Antoni

Tutte le opere
Space, Antoni Tàpies, 1956

Space

1956 · Non esposta · Museum of Modern Art

Untitled, Antoni Tàpies, 1959

Untitled

1959 · Non esposta · Museum of Modern Art

Untitled, Antoni Tàpies, 1959

Untitled

1959 · Non esposta · Museum of Modern Art

Gray Relief on Black, Antoni Tàpies, 1959

Gray Relief on Black

1959 · Non esposta · Museum of Modern Art

Number 15, Antoni Tàpies, 1960

Number 15

1960 · Non esposta · Museum of Modern Art

Number 16, Antoni Tàpies, 1960

Number 16

1960 · Non esposta · Museum of Modern Art

Number 12, Antoni Tàpies, 1960

Number 12

1960 · Non esposta · Museum of Modern Art

"I", Antoni Tàpies, 1961

"I"

1961 · Non esposta · Museum of Modern Art

Sotto lo stesso tetto: Museum of Modern Art

Pagina del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950