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Smithsonian American Art Museum
The Good Luck Branch

The Good Luck Branch, Helen Hyde, 1907

The Good Luck Branch

1907 · Graphic Arts-Print · 15.6 × 16.5 cm

Scheda

1907 · a 39 anni

18681919

Numero di inventario: 1992.13.49

Altre opere di Helen Hyde

Sotto lo stesso tetto: Smithsonian American Art Museum

Pagina del museo

Sullo stesso tema · Friendship

Tutte le opere sul tema

Helen Hyde, ritratto

Helen HydeStati Uniti, 1868–1919

Si può ammirare?

Non si sa

Smithsonian American Art Museum

Washington, Stati Uniti

Il proprietario è noto; non si sa se oggi sia esposta.

Ultimo cambio di stato: 25 set 2026
Fonte: Il museo

Sulla mappa Pagina del museo

Che cosa raffigura

Friendship Willow Japanese dress Clothing and dress State of being Foliage Bambino Emotions

In catalogo

Stampe Xilografia Modernismo XX secolo

Fonti

Smithsonian American Art Museum
Immagine: Smithsonian American Art Museum — CC0

Untitled (Girl Holding Pink Flowers), Helen Hyde, n.d.

Untitled (Girl Holding Pink Flowers)

n.d. · Non esposta · Art Institute of Chicago

Sausalito, Helen Hyde, ca. 1896-1898

Sausalito

ca. 1896-1898 · Smithsonian American Art Museum

Totty, Helen Hyde, 1896

Totty

1896 · Smithsonian American Art Museum

Miss Plum Blossom, Helen Hyde, 1897

Miss Plum Blossom

1897 · Non esposta · Art Institute of Chicago

The Shower, Helen Hyde, 1897

The Shower

1897 · Non esposta · Art Institute of Chicago

Hide and Seek, Helen Hyde, 1897

Hide and Seek

1897 · Smithsonian American Art Museum

Miss Plum Blossom, Helen Hyde, 1897

Miss Plum Blossom

1897 · Smithsonian American Art Museum

Mother and Child, Helen Hyde, 1897

Mother and Child

1897 · Smithsonian American Art Museum

Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Allegorie op de tijd, dood en vriendschap, William Blake, 1796

William Blake

Allegorie op de tijd, dood en vriendschap, 1796

Rijksmuseum

Lucien Carr, my oldest friend from college days, had introduced me to Jack Kerouac after they’d met at the West End bar on 113th St. & Broadway, and connected Jack + me to his fellow St. Louis uppermiddle-class (aristocrat we thought) confrère William S. Burroughs, late winter 1944. We lived down the hall from each other on 7th floor Union Theological Seminary, Columbia freshman dorm during W.W.II, I heard haunting Brahms sextet music through his door, knocked, we met. Kerouac heard _Old Angel Midnight_ eloquence in Lucien’s laconic “Celtic” intonations. Here four decades later, wise Old Dog Bureau Manager United Press International he was visiting former house-mate Alene Lee’s Soho loft. More eyes perused his wire-service prose than all Jack’s & my texts, I’ll bet. December 2, 1986., Allen Ginsberg, 1986, printed 1996

Allen Ginsberg

Lucien Carr, my oldest friend from college days, had introduced me to Jack Kerouac after they’d met at the West End bar on 113th St. & Broadway, and connected Jack + me to his fellow St. Louis uppermiddle-class (aristocrat we thought) confrère William S. Burroughs, late winter 1944. We lived down the hall from each other on 7th floor Union Theological Seminary, Columbia freshman dorm during W.W.II, I heard haunting Brahms sextet music through his door, knocked, we met. Kerouac heard _Old Angel Midnight_ eloquence in Lucien’s laconic “Celtic” intonations. Here four decades later, wise Old Dog Bureau Manager United Press International he was visiting former house-mate Alene Lee’s Soho loft. More eyes perused his wire-service prose than all Jack’s & my texts, I’ll bet. December 2, 1986., 1986, printed 1996

Non esposta · National Gallery of Art

Haverstraw, New York. Interracial activities at Camp Christmas Seals, where children are aided by the Methodist Camp Service. Camp buddies, Gordon Parks, August 1943, printed later

Gordon Parks

Haverstraw, New York. Interracial activities at Camp Christmas Seals, where children are aided by the Methodist Camp Service. Camp buddies, August 1943, printed later

Non esposta · National Gallery of Art

Ornament met opdracht aan Andries Schoemaker en Christoffel Beudeker, anonymous, 1731

anonymous

Ornament met opdracht aan Andries Schoemaker en Christoffel Beudeker, 1731

Rijksmuseum

Amadeus Berutti met Strengheid (Austeritas) en Vriendschap (Amicitia) en Liefde (Amor), Marcantonio Raimondi, 1510 - 1517

Marcantonio Raimondi

Amadeus Berutti met Strengheid (Austeritas) en Vriendschap (Amicitia) en Liefde (Amor), 1510 - 1517

Rijksmuseum

Ontmoeting tussen vrienden, Daniel Nikolaus Chodowiecki, 1795

Daniel Nikolaus Chodowiecki

Ontmoeting tussen vrienden, 1795

Rijksmuseum

Drie voorstellingen over oprechtheid en hypocrisie, Daniel Nikolaus Chodowiecki, 1793

Daniel Nikolaus Chodowiecki

Drie voorstellingen over oprechtheid en hypocrisie, 1793

Rijksmuseum

Zes voorstellingen over oprechtheid en hypocrisie, Daniel Nikolaus Chodowiecki, 1793

Daniel Nikolaus Chodowiecki

Zes voorstellingen over oprechtheid en hypocrisie, 1793

Rijksmuseum