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  1. Collezione/
  2. National Gallery of Art/
  3. The Exterminating Angel (L'ange exterminateur)
The Exterminating Angel (L'ange exterminateur), James Ensor, 1889
Ensor, James, ritrattoEnsor, JamesBelgio, 1860–1949

The Exterminating Angel (L'ange exterminateur)

1889 · Print

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
l’altro ieri
Ultimo cambio di stato
19 ago 2026
Fonte
I dati di collezione del museo stesso
Sulla mappaPagina del museo

Scheda

1889 · a 29 anni
18601949
Numero di inventario
1964.8.715

Che cosa raffigura

AngelEquus ferus caballusWeaponsFigures

In catalogo

StampeAcquaforteImpressionismoXIX secoloBelgian

Fonti

  • National Gallery of Art: i dati aperti del museo · acquisita 8 giorni fa
  • Immagine: National Gallery of Art — © the artist or rights holder

Nel frattempo, nella vita di Ensor, James

Tutta la vita
  1. 1860–1949 · Luogo di lavoro

    Ostend

  2. 1880s

    Brief trips to France and the Netherlands

    Ensor travelled very little: in the 1880s, just three brief trips to France and two to the Netherlands.

  3. 1883–1893 · Affiliazione

    Les XX

  4. 1887

    Death of his father

    His father, James Frederic Ensor, died — a scion of a wealthy English family who never found his footing in Belgium, mocked by small-town Ostend as a drunkard and failure, yet always supportive of his son's passion for art. Left the only man in the family, James felt a special responsibility for his younger sister Mariette (Mitche).

  5. 1888–1892

    Turning-point years: the Passion of Christ

    Ensor turned to religious themes, most often the torments of Christ, expressing through them his disgust at the inhumanity of the world; an atheist, he identified with Christ as a victim of mockery. At the height of his creative powers, between 1886 and 1891, he made 86 of his 133 etchings.

Altre opere di Ensor, James

Tutte le opere
Christ's Entry into Brussels in 1889, James Ensor, 1888

L'entrata di Cristo a Bruxelles nel 1889

1888 · Getty Museum

The Intrigue, James Ensor, 1911

The Intrigue

1911 · Minneapolis Institute of Art

Comical Repast (Feast of the Lean), James Ensor, ca. 1917–18

Comical Repast (Feast of the Lean)

ca. 1917–18 · Metropolitan Museum of Art

Still Life with Fish and Shells, James Ensor, 1898

Still Life with Fish and Shells

1898 · Art Institute of Chicago

The Riding Crop, James Ensor

The Riding Crop

Non esposta · National Gallery of Art

Phantastisches Stillleben, James Ensor

Phantastisches Stillleben

Österreichische Galerie Belvedere

Stillleben mit blauer Flasche und gerupftem Huhn, James Ensor

Stillleben mit blauer Flasche und gerupftem Huhn

Österreichische Galerie Belvedere

Blumenkorb, James Ensor

Blumenkorb

Albertina

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888